{"title":"Phono Pre-amplifiers","description":null,"products":[{"product_id":"air-tight-atc-5s-reference-preamplifier-with-phono-stage","title":"Air Tight ATC-5s Reference Preamplifier with Phono Stage","description":"\u003cp\u003eIt was 30 years ago when Air Tight introduced their first tube pre-amp, the ATC-1 with the ambitious intention being to reproduce real, dynamic sound. So successful were they in realising their ambition that the ATC-1 became a global reference preamplifier for many years and defined that ideal of Japanese refinement. After many years of further research \u0026amp; development, Air Tight have now released the totally redesigned ATC-5 to continue the tradition and cater for the serious audiophile with a requirement for analogue or digital music sources.\u003c\/p\u003e\n\u003cp\u003eAtsushi Miura always believed that developing a preamplifier depended on a never-ending process to find the optimum balance between the technology and art itself. Technology developed to process information efficiently and accurately was not always in alignment with the result of creating joy, emotional connection, excitement and musical artistry. He believed that the ultimate optimised combination of the technology and art shall eventually create a sort of supernatural phenomenon in the form of a visceral musical sensation. This is the ultimate goal and desire shared by all the discerning audiophiles in the world.\u003c\/p\u003e\n\u003cp\u003eCompact as it is in size, the ATC-5 does not compromise in its design, component selection or build quality. Drawing on their 30-years of experience, Air Tight pulled out all stops in this design, including a monocoque chassis structure and point to point wiring (no PCB’s). Given that the volume control mechanism is so crucial to overall sonic quality, an Alps gold-plated multi-contact wire-brushed controller sealed in a machined brass case is used.\u003c\/p\u003e\n\u003cp\u003eTo ensure perfect playback of vinyl records, highly rated 2-stage NF-CR circuitry for the most faithful realization of the RIAA curve was employed. The NF and CR sections are made independently with thorough elimination of interference between treble and bass ranges and unnecessary low frequency signals are crossed out to prevent unwanted vibration of speaker cones. 3 inputs allows listeners to enjoy multiple digital sources and a timer-relay system mutes output at the outset of playback, thus protecting the power amp section from transient current events. The line amp section consists of an orthodox 2-stage configuration featuring the 12AT7. For the sake of a tight and spacious soundstage, optimum decoupling circuits are placed at all the necessary points to prevent harmful interferences. Needless to say, all the Air Tight audio equipment is designed and made in Japan.\u003c\/p\u003e\n\u003cp\u003eMany audiophiles believe that the preamplifier is the most important component in a music system. It is often the focus of much of the designer’s attention as there are many aspects of the signal path that need to be carefully managed. The Air Tight ATC-5 is a high quality preamplifier with a great pedigree and outstanding sonics. It utilises a tried and true, well proven design that has been refined over many years so that it is very quiet, very transparent, neutral and ultra-dynamic. Music emerges from a totally silent background with authority, clarity and resolution. It is well known for realistically reproducing the nuances and ambiences existing at the moment of the recording, creating a mesmerising realism.\u003c\/p\u003e\n\u003cp\u003eIt is one of those rare audiophile products that users buy and tend to keep for life or replace with the same model. One listen and the ATC-5 feels complete. It just disappears and in its place..….. silence and music, ebb and flow. Transcend the equipment and lose yourself. Sublime.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSRPP line amp with reinforced buffer stage to assure good noise rejection, low output impedance and extended linearity.\u003c\/li\u003e\n\u003cli\u003eWell-appointed power supply featuring quick recovery diode for high operational speed and low pulse noise.\u003c\/li\u003e\n\u003cli\u003eSingle-steel sheet with multi-layer enamel for high rigidity and low noise.\u003c\/li\u003e\n\u003cli\u003eHigh-quality input\/output jacks with detachable mains cord.\u003c\/li\u003e\n\u003cli\u003eALPS high-precision pot RK-501.\u003c\/li\u003e\n\u003cli\u003eHighly rated 2-stage NF-CR circuitry for the most faithful realization of the RIAA curve.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStereo Line \u0026amp; Phono Preamplifier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eValves Employed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3 x 12AX7, 2 x 12AT7\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhono Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA\/MM × 2\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e47kΩ（Gain 40dB）\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhono Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA × 1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA × 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e47kΩ（Gain 40dB）\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended load more than 47kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine Amplifier Distortion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTHD 0.02% (1V\/1kHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response (Phono)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50Hz~20kHz(±0.2dB) \/20Hz-2.5dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response (Line)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20Hz~100kHz-1dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50VA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e400mm(W) × 260mm(D) × 90mm(H))\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9kg\u003c\/p\u003e\n\u003ch2\u003eDocuments \/ Links\u003c\/h2\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/nirvanasound.com\/wp-content\/uploads\/brochures\/atc5_high_e_s.pdf\"\u003eAir Tight ATC-5 Brochure\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.airtight-anm.com\/components\/atc5.html\"\u003eAir Tight ATC-5 link \u003c\/a\u003e\u003c\/p\u003e","brand":"Air Tight","offers":[{"title":"Default Title","offer_id":51887687270721,"sku":"AIR-ATC-5s","price":24000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/AirTightATC-5sReferencePreamplifierwithPhonoStage1.jpg?v=1782485146"},{"product_id":"air-tight-ate-3011-reference-phono-equalizer-amplifier","title":"Air Tight ATE-3011 Reference Phono Equalizer Amplifier","description":"\u003cp\u003eThe ATE-3011 is the flagship phono preamplifier from this legendary Japanese audio manufacturer and is a unique design with features unlike any other reference phono preamplifier in the world today. To understand such an ambitious amplifier, it is best to begin with understanding the intention that conceived the idea. Air Tight wanted to cater for the highly discerning music and vinyl record connoisseur who wanted to be able to listen to virtually ANY record using the correct equalization curve and therefore optimise the sound reproduction experience.\u003c\/p\u003e\n\u003cp\u003eThe ATE-3011 is equipped with 5 equalizing curves (RIAA, NAB, AES, FFRR, \u0026amp; FLAT) for Turnover and Roll-Off, and can independently select Turnover and Roll-off to create various curves to optimise the experience of your vinyl collection. A large self-illuminating display and an equalization curve selector switch offer easy change over between the various equalizing curve listening options.\u003c\/p\u003e\n\u003cp\u003eHaving the ability to accurately access these curves places this phono-stage in a rarefied league however the greatest achievement of the ATE-3011 without a doubt is its sound quality. Air Tight took three years to develop the ATE-3011 including countless design refinements and exhaustive listening tests. They were particularly focussed on the concept of non-colouration, or ultimate transparency which aspires to facilitate a sound where the amplifier adds no or an absolute minimum of its own character into the sonic presentation.\u003c\/p\u003e\n\u003cp\u003eThere are some significant innovations in the circuit topology as well as some new technologies focussed on mechanical resonance mitigation. The primary amplification section is housed within in the inner chassis. Three of the dual triode 12AX7 tubes are parallell located at the center of the main chassis and the amplification circuit for both channels is located on the thick copper plate above and below the location of the tubes. All the Mica capacitors and the huge de-coupling capacitors are brought together into one place. To reduce leakage flux, two large capacity toroidal transformers are employed and any superfluous influence on the amplification section is eliminated.\u003c\/p\u003e\n\u003cp\u003eIndependent L\/R and input\/output signals run through original stainless steel conductors instead of conventional cables up to the very point of equaliser input. All terminals, shielding, connectors and components are the very best available. Some new innovations were also employed to ensure that noise or hum-loop artefacts are completely eliminated and a muting relay circuit is employed to prevent noise when power is turned on.\u003c\/p\u003e\n\u003cp\u003eThis level of attention to detail all adds up to produce a supremely flexible and reference level sonic masterpiece.\u003cbr\u003eIf you have a large record collection which includes a variety of recordings from different eras, labels and pressings, you will be aware of the benefit of having access to the five main equalization curves in order to optimise your listening experience. Now you can hear your records exactly the way they were meant to be heard!\u003cbr\u003eSimply press a button on this beautiful heirloom quality phono preamplifier and be transported to another time and place…..\u003c\/p\u003e\n\u003ch2\u003eVideos\u003c\/h2\u003e\n\u003cp\u003eAir Tight 2019 Interview\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/Cy3Y5qtuMFY\" width=\"560\" height=\"314\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003eProduct Specifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReference Phono Preamplifier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eValves Employed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3 x 12AX7\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhono Equalizer Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA\/MM × 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e47kΩ（Gain 40dB）\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhono Equalizer Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA × 2 + 1(mono only)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecommended load more than 47kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.02%(1V\/1kHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50Hz~20kHz(±0.2dB) \/20Hz-2.5dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50VA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e400mm(W) × 375mm(D) × 151mm(H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12.2kg\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.airtight-anm.com\/components\/ate3011.html\"\u003eAir Tight ATE-3011 link \u003c\/a\u003e\u003c\/p\u003e","brand":"Air Tight","offers":[{"title":"Default Title","offer_id":51887697330497,"sku":"AIR-ATE-3011","price":47000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/AirTightATE-3011ReferencePhonoEqualizerAmplifier.jpg?v=1782486700"},{"product_id":"alieno-twin-chassis-tube-phono-stage-with-dc-battery-powered-supply","title":"Alieno Twin Chassis Tube Phono Stage with DC battery powered supply","description":"\u003cp\u003eALIENO Phono Preamplifier is a tube phono stage for Moving Coil cartridges.\u003cbr\u003eIt has three gains available (66 – 60 – 54 dB), easily selectable by a jumper after opening of the upper panel.\u003c\/p\u003e\n\u003cp\u003eCartridge load setting by blind Rca plugs on rear panel. Overall internal impedance of phono stage less than 250 Ohms, for perfect matching also with very low impedance (from 2500 Ohms up) line preamplifiers.\u003cbr\u003ePower supply in a separate cabinet with Virtual Battery Powered technology. Two Rca inputs selectable by a switch on rear panel, RIAA equalization, Rca and XLR outputs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs \/ Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 × RCA inputs (rear-switchable) • RCA \u0026amp; XLR outputs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e66 dB \/ 60 dB \/ 54 dB (internal DIP-switch selectable)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCartridge Load Options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100, 220, 330, 470, 750, 1000 Ω (via RCA load plugs)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeighted S\/N Ratio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026gt; 80 dB @ 1 mV input\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHarmonic Distortion (THD)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026lt; 0.05%\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIAA Accuracy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e±0.1 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeadroom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026gt; 25 Vrms maximum undistorted output\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e250 Ω (ideal for driving preamps ≥ 2.5 kΩ)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTube Complement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12AY7 + ECC83 (low-noise cascode input) • E88CC (EQ network driver) • ECC82 (additional gain) • E88CC (output buffer)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExternal PSU with Virtual Battery Powered Technology • 240–115 V AC ±10%, 50\/60 Hz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMain Fuse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1 A (T2 A for 115 V)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e~80 VA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions – Amplifier Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e45 × 41 × 18 cm • 17.7″ × 16.1″ × 7″ • Weight: 12 kg \/ 26.4 lb\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions – Power Supply Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e33 × 32 × 10 cm • 13″ × 12.6″ × 4″ • Weight: 9 kg \/ 19.8 lb\u003c\/p\u003e","brand":"Alieno","offers":[{"title":"Default Title","offer_id":51889744609601,"sku":"ACU-ALIENO-PHONO","price":70000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/AlienoTwinChassisTubePhonoStagewithDCbatterypoweredsupply1.jpg?v=1782566769"},{"product_id":"canor-asterion-v2-tube-phono-preamplifier-vacuum-tube-premium-line","title":"Canor Asterion V2 Tube Phono Preamplifier Vacuum Tube, Premium Line","description":"\u003cp\u003eThe CANOR Asterion V2 stands out as a top-of-the-line preamplifier for turntables, employing all-tube technology to deliver unparalleled performance. It’s designed to work seamlessly with both MM and MC phono cartridges, making it a versatile choice for audiophiles who demand the best.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe name “Asterion” has its roots in ancient Greek and translates to “Starry” in English. According to Greek mythology, Asterion was one of the three river gods.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 A legitimate balanced XLR input and output, with true differential circuitry\u003c\/p\u003e\n\u003cp\u003e02 All-tube turntable preamplifier that works with both MM and MC phono cartridges\u003c\/p\u003e\n\u003cp\u003e03 Precise selection and matching of tubes with exceptional parameters\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/51-1297-img3501-400x296.jpg?v=1782827212\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor Both MM and MC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Canor Asterion V2 phono preamplifier is a versatile device, capable of accommodating both MM and MC cartridges. With no interference between the two, users can connect both types simultaneously. The MM and MC options are easy to select and set up thanks to the simple and intuitive front panel buttons, making the Asterion V2 a user-friendly and efficient choice.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/52-6614-img3520-400x296.jpg?v=1782827228\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Canor Asterion V2 phono preamplifier is a versatile device, capable of accommodating both MM and MC cartridges. With no interference between the two, users can connect both types simultaneously. The MM and MC options are easy to select and set up thanks to the simple and intuitive front panel buttons, making the Asterion V2 a user-friendly and efficient choice.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo eliminate mechanical hum, the transformer core undergoes vacuum impregnation and is encapsulated in a special anti-vibration compound. Furthermore, the transformer is enclosed in a sturdy, welded cover that provides excellent electromagnetic shielding and enhances the signal-to-noise ratio.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/54-4813-img3524-400x296.jpg?v=1782827245\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeparated signal paths\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Asterion V2 features strictly separated signal paths for both channels with separated filtration of the power voltage.\u003c\/p\u003e\n\u003cp\u003eThe voltage stabilization is made separately for the right and left channels to improve channel separation and minimize noise and interference for a cleaner and more accurate sound.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/53-2637-v2-setting-400x296.jpg?v=1782827263\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSettings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Asterion V2 allows intuitive and easy adjustment of the gain, loading and capacitance settings to match the specific characteristics of the used phono cartridge, which helps to optimize performance and maximize sound quality.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/54-4813-img3524-1-400x296.jpg?v=1782827277\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCMT ™ technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Asterion V2 utilizes our advanced CMT ™ technology (CANOR ® PCB Milling Technology) for optimal performance. The CMT™ technology allows us to get the dielectric loss factors (loss tangent) of PCB close to the loss factor of air. Thanks to this technology we managed to get repeatedly to the parameter level of the so-called “wire-to-wire connections“.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ean all-tube turntable preamplifier for both MM and MC phono cartridges\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003enine tubes, one vacuum tube out of them used to rectify anode voltage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ewiring circuitry without any global feedback\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePCB’s utilize our premium CMT ™ technology\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eprecise selection and matching of the tubes that have above-average parameters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003evacuum-impregnated transformer core\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003etransformer potted in a special anti-vibration compound and placed in the massive welded cover\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ethe exceptional high-quality polypropylene capacitors in the signal path were used\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eif a turntable is fitted with two tonearms, one having an MM phono cartridge installed and the other MC, both can be connected simultaneously without mutually affecting each other\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ehigh variability of gain settings, resistances and capacitances settings for all types of phono cartridges\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ea high-quality step-up Lundahl transformer for MC phono cartridges\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanor Asterion V2 – Review – Audiotechnique, Hong Kong (CN)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/images\/content\/files\/Canor%20Asterion%20V2%20-%20Audiotechnique%202025-01%20%28Chinese%29.pdf\"\u003eCanor Asterion V2 – 旗艦級真空管唱頭放大器\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e08.01.2025\u003c\/p\u003e\n\u003cp\u003eCanor Asterion V2 – Review – HiFi News (EN)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/images\/content\/files\/Canor%20Asterion%20V2%20-%20HiFi%20News%20-%202024-06%20%28English%20-%20LowRes%29%281%29.pdf\"\u003eCanor Asterion V2 – ‘balanced bandwagon’!\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e15.06.2024\u003c\/p\u003e\n\u003cp\u003eCanor Asterion V2 – Review – i-Fidelity (DE)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.i-fidelity.net\/testberichte\/high-end\/canor-asterion-v2\/test.html\"\u003eCanor Asterion V2 – Ausnahme-Charakter\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e22.02.2024\u003c\/p\u003e\n\u003cp\u003eCanor Asterion V2 – Review – i-Fidelity (EN)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.i-fidelity.net\/en\/testberichte\/high-end\/canor-asterion-v2\/review.html\"\u003eCanor Asterion V2 – Exceptional character\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e22.02.2024\u003c\/p\u003e\n\u003cp\u003eCanor Asterion V2 – Review – LP Magazin (EN)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/images\/content\/files\/Canor%20Asterion%20V2%20-%20LP%20Magazine%202024-01%20%28English%29.pdf\"\u003eCanor Asterion V2 – Update Bullseye\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e18.01.2024\u003c\/p\u003e\n\u003cp\u003eCanor Asterion V2 – Review – Lite-Magazin (DE)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.lite-magazin.de\/2023\/12\/phono-vorverstaerker-canor-asterion-v2-roehrenmagie-fuer-vinylisten\/\"\u003eCanor Asterion V2 – Röhrenmagie für Vinylisten\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e26.12.2023\u003c\/p\u003e\n\u003cp\u003eCanor Asterion V2 – Review – LP Magazin (DE)\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/images\/content\/files\/Canor%20Asterion%20V2%20-%20LP%20Magazine%202024-01%20%28German%29.pdf\"\u003eCanor Asterion V2 – Update-Volltreffer\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e31.10.2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifciations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoad capacity MM \/ Gain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50, 150, 270, 370, 520, 620, 740, 840 pF \/ Gain: 46 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput impedance MC1 \/ Gain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10, 20, 40, 80, 150, 300, 600, 1.200 Ω \/ Gain: 70 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput impedance MC2 \/ Gain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2, 5, 10, 20, 40, 80, 150, 300 Ω \/ Gain: 76 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA: \u0026lt; 300 Ω\u003cbr\u003eXLR: \u0026lt; 600 Ω\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eXLR -\u0026gt; MC; RCA -\u0026gt; MM \/ MC\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA \/ XLR\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Harmonic Distortion\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMM \/ MC \u0026lt;0,1% \/ 1 VRMS\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSubsonic filter \/ threshold frequency\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e18 dB \/ Octave \/ 18 Hz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIAA accuracy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0,3 dB \/ 20 Hz – 20 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal-to-noise ratio MM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026lt; 72 dBV (87 dBV – IEC – A)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal-to-noise ratio MC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026lt; 68 dBV (82 dBV – IEC – A)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTube complement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8 x 6922EH, 1 x 6CA4EH\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e230 V \/ 50 Hz \/ 70 VA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (w x h x d)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e435 x 170 x 485 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight (net)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e18 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDocuments \/ Links\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/files\/file\/1_4932_canor%20updated%20catalog%202025_digital.pdf\"\u003eCanor – product brochure 2025 (English)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/files\/file\/3_9793_canor_katalog_herbst_2023.-v1.1pdf.pdf\"\u003eCanor – product brochure 2023 (Deutch)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/files\/file\/4_8173_Canor%20-%20product%20brochure%202024%20(%E4%B8%AD%E6%96%87%E4%BA%A7%E5%93%81%E6%89%8B%E5%86%8C).pdf\"\u003eCanor – product brochure 2024 (中文版)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/files\/product_file\/95_4735_CANOR%20Asterion%20V2%20User%20Manual.pdf\"\u003eCanor Asterion V2 – User Manual (English)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/files\/product_file\/119_6958_CANOR%20Asterion%20V2%E2%80%94User%20Manual_202409.pdf\"\u003eCanor Asterion V2 – 取扱説明書\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.canor-audio.com\/canor-asterion-v2\"\u003eCanor Asterion V2 Website\u003c\/a\u003e\u003c\/p\u003e","brand":"Canor","offers":[{"title":"Black","offer_id":51906140864833,"sku":"CAN-ASTERION-V2-B","price":12005.0,"currency_code":"AUD","in_stock":true},{"title":"Silver","offer_id":51906140897601,"sku":"CAN-ASTERION-V2-S","price":12995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/CanorAsterionV2TubePhonoPreamplifierVacuumTube_PremiumLine1.jpg?v=1782827687"},{"product_id":"hse-master-line-7-statement-phono-preamplifier","title":"HSE Master Line 7 Statement Phono Preamplifier","description":"\u003cp\u003eHand crafted in Switzerland by audio engineer Robert Huber, the HSE Phono Preamp Masterline 7 represents the pinnacle of audio engineering, shown here on its antivibration support stand. Engineered for a life expectancy of at least 30 years, only the highest quality handmade Swiss components are utilised. Twelve HSE discrete Class A gain-stage and two Zero-ohm Class A ultra-low noise head-amps guarantee best possible audio performance.\u003c\/p\u003e\n\u003cp\u003eFor uncompromising EMC shielding, the case of the ML-7 is milled from a solid aluminium block, protecting the electronics with a 20mm housing. Gold plated dials allow the adjustments of the Dual Mono Preamp for each channel individually. Each device passes a 2-week continuous hardening and maturing test to reach the finest sound quality. All electronic components are hand-selected and matched up to 0.1% maximum variance.\u003c\/p\u003e\n\u003cp\u003eTo achieve uncompromising sound, only the industry’s best components, from ELMA, Goldpoint, NKK, Panasonic, WIMA, Neutrik, Schurter, and HSE in-house wound coils are used. The audio signal passes through HSE’s proprietary Silverteflon wiring and the oversized toroidal transformer featuring static and magnetic shielding. The Impedance selector is optimised for industry leading cartridges and one of the greatest features of this phono preamplifier is that the extensive gain range eliminates the need for a step up transformer and can support all cartridges, no matter how low their output levels are.\u003c\/p\u003e\n\u003cp\u003eThe HSE’s quality and engineering is such that the noise floor is virtually non-existent, allowing the musical nuances \u0026amp; micro-detail to emerge and flow. One of the very best!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/StereoSound-Grand-Prix-2019.jpg?v=1783312992\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3 × Balanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 × Balanced (24 dBu)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.82–64 dB @ 1 kHz (37 positions)*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7.5 Ω, 1.2 kΩ \u0026amp; 47 kΩ (24 positions)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Capacitance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e33 pF – 680 pF (12 positions)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEIN -144 dB (22 Hz – 22 kHz, 49.8 nV)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIAA Accuracy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePassive Balanced, ±0.05 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNot measurable\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.5 Hz – 150 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026gt;120 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeadroom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026gt;24 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSubsonic Filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePassive Balanced, 15 Hz, 18 dB\/octave\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFunctions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMute, Phase, Overload Indicator, Ground Lift\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCircuit Architecture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFully Balanced, Class A, Discrete, High Voltage, Dual Mono\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20 mm Milled Aluminium, Champagne Finish\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAC Voltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100 \/ 115 \/ 230 V\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e65 W\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (W × H × D)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e446 × 88 × 410 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply Dimensions (W × H × D)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e110 × 115 × 280 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.5 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePacked Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e780 × 560 × 240 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePacked Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e27 kg\u003c\/p\u003e","brand":"HSE","offers":[{"title":"Standard","offer_id":51928115478849,"sku":"HSE-ML7","price":153000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/image_4.jpg?v=1783312993"},{"product_id":"hse-master-line-8-statement-phono-preamplifier","title":"HSE Master Line 8 Statement Phono Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eMASTERLINE 8\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe HSE Preamp Masterline 8 (ML-8) represents the pinnacle of Audio Engineering, shown here on its antivibration support stand.\u003c\/p\u003e\n\u003cp\u003eEngineered for a life expectancy of at least 30 years, only the highest quality handmade Swiss components are utilized.\u003c\/p\u003e\n\u003cp\u003e12 HSE discrete Class A Gain-stage and 2 Zero-ohm Class A ultra-low noise head-amps guarantee best possible audio performance. The audio path is fully balanced, discrete and high voltage.\u003c\/p\u003e\n\u003cp\u003eThe ML-8 case is milled from aluminum, glass-bead blasted, anodized, featuring a 20 mm thick front plate and several 24-carat hard-gold-plated parts. 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the lowest possible noise.\u003c\/p\u003e\n\u003cp\u003eThe system consists of a separate audio unit and power supply. Both champagne-colored chassis are manufactured from milled and brushed aluminum with anodized printing. The rotary controls are fitted with hand-matched ALPS Blue Velvet components.\u003c\/p\u003e\n\u003cp\u003eEach unit undergoes a continuous two-week hardening and maturing process to achieve the finest sound quality.\u003c\/p\u003e\n\u003cp\u003eAll critical electronic components are hand-selected and matched to within a maximum variance of 0.1%.\u003c\/p\u003e\n\u003cp\u003eTo achieve uncompromising sound quality, only premium components from ELMA, Goldpoint, NKK, Panasonic, WIMA, Neutrik, Schurter, and ALPS are used. The oversized toroidal transformer features both static and magnetic shielding.\u003c\/p\u003e\n\u003cp\u003eThe impedance selector is optimized for industry-leading Benz, Lyra, XYZ, and Ortofon cartridges. 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Both the VAREQ top plate and the EQ circuit can be integrated into the HSE Phono Preamp Masterline 7 (ML-7), where only the highest quality handmade Swiss components are utilized.\u003c\/p\u003e\n\u003cp\u003eThanks to the newly integrated variable equalizer, a more accurate reproduction of LPs that do not have RIAA filtering is possible. The new option can optimize all your recordings. You can now choose between 12 roll-off and 12 turnover positions per channel to find the very best sounding position.\u003c\/p\u003e\n\u003cp\u003eThe true-balanced Class A equalizer enables precise linearization control. Every LP can be de-emphasized to compensate for the RIAA curve. This high-precision passive filter allows manual adjustment for optimum performance.\u003c\/p\u003e\n\u003cp\u003eThe high precision is achieved through a filter made from a total of 88 high-quality metallized film polypropylene WIMA capacitors and 4 high-quality Class A gain stages. 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Integrated into the original MONICA pre-amplifier in 2014, it is now a standalone product allowing the phono and line-stage to reach their full potential.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/03_monica_web_bw.webp?v=1783429538\" alt=\"\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/02_monica_web_copy.webp?v=1783429557\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eM-PHONO TECH SPECS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINPUTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMM 10mV load 47kΩ\u003c\/p\u003e\n\u003cp\u003eMC 1mV load 100, 200, 300, 500, 750, 1500\u003c\/p\u003e\n\u003cp\u003eΩ-switch on back\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPLIFICATION:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMM 40dB\u003c\/p\u003e\n\u003cp\u003eMC 60dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT AT 1kHz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1V THD 0,6%\u003c\/p\u003e\n\u003cp\u003e3V THD 1.5%\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOUTPUT IMPEDANCE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eat 1kHz 100Ω\u003c\/p\u003e\n\u003cp\u003eat 20Hz 300Ω\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS (WxDxH):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e480 x 300 x 150\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHUM:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50Hz -60dBV\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOISE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026gt;200Hz -100dBV\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTUBES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 x E88CC\u003c\/p\u003e\n\u003cp\u003e2 x E182CC\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAINS POWER:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e115V \/ 230V\u003c\/p\u003e\n\u003cp\u003e50Hz – 60Hz, 34VA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMAINS FUSE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e230V 1,6 A slow\u003c\/p\u003e\n\u003cp\u003e115V 3,15A slow\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHT:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e15kg\u003c\/p\u003e","brand":"Engström","offers":[{"title":"M-Phono I","offer_id":51941339562305,"sku":"ENG-M-PHONO","price":50000.0,"currency_code":"AUD","in_stock":true},{"title":"Custom Colour I","offer_id":51941339595073,"sku":"ENG-M-PHONO-CST","price":54000.0,"currency_code":"AUD","in_stock":true},{"title":"M-Phono II","offer_id":51941339627841,"sku":"ENG-M-PHONO-2","price":64000.0,"currency_code":"AUD","in_stock":true},{"title":"Custom Colour II","offer_id":51941339660609,"sku":"ENG-M-PHONO-2-CST","price":65000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Mphono.jpg?v=1783430067"},{"product_id":"ps-audio-stellar-phono-preamplifier","title":"PS Audio Stellar Phono Preamplifier","description":"\u003cp\u003eOur finest phono preamplifier in the company’s 45-year history. All analog from input to output, this stunning addition to the Stellar line will bring new life to your vinyl in ways you never dreamt possible.\u003c\/p\u003e\n\u003cp\u003ePS engineer Darren Myers wiped the tradition slate clean by hand-fashioning a new approach to capturing all the magic trapped in the grooves of our records. The results are breathtaking. Music that might once have been locked into the confines of our loudspeakers is suddenly free. Stellar phono features dual inputs that can support either a moving coil or moving magnet cartridge. Cartridge loading and gain options are easily adjusted from your listening position via the supplied remote control. Input to output, Stellar is a fully discrete FET design with extraordinarily low noise and high overload capabilities so even the wildest dynamics from the punchiest cartridges sail through Stellar with no limitations or compromise whatsoever. If yaou love vinyl you’ll love Stellar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDESIGN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono preamplifiers at anywhere near this price range are almost always integrated circuit based, but not Stellar. Input to output, Stellar is a fully discrete FET design with extraordinarily low noise and high overload capabilities so even the wildest dynamics from the punchiest cartridges sail through Stellar with no limitations or compromise whatsoever. Stellar Phono stands out in a crowded field of conventional IC designs. Its sound is rich, warm and enticing as only vinyl through hand-tuned class-A circuitry can be.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAPPLICATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStellar is the perfect phono preamplifier for any resolution system or cartridge type. From the lowest output moving coil to the most dynamic and punchy moving magnet, Stellar Phono will deliver incredible performance, low noise, and world class sonics. Use Stellar as your reference preamplifier in the highest end systems in the world. Stellar comes complete with remote control so users can select between two turntables, or adjust cartridge loading and gain settings from the comfort of their chairs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOVERVIEW\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePS Audio’s first product was a phono preamplifier that took the Hi-Fi world by storm in 1975. Its designers, Paul and Stan, labored for years over every circuit detail with one goal in mind—making musical magic. Stellar Phono shares that same ethos. Stellar Phono is the finest preamplifier PS Audio has ever built in its 45 year history and sets a new standard within the industry. It is a triumph of performance and value that you’ll instantly recognize from that first needle drop, as music emerges from a velvet blackness, filling the room as if there were no speakers. Stellar handles all cartridge types and employs no ICs in the signal path. Its all discrete, class A analog design produces over 20V rms output for unparalleled headroom and dynamics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE INSIDE SCOOP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe art of design is a careful balance between the measurement lab and the listening room. The hundreds of hours of design and audition resulted in a unique amalgam of time honored technology coupled with daring innovation. Stellar Phono is an all discrete FET design that uses a passive RIAA curve, hand selected premium components, and is direct coupled from input to output. Its ultra low noise discrete pre and post voltage regulation stages, coupled with low internal feedback, offer increased transparency and openness rarely found in instruments anywhere near this price.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONSTRUCTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you first pick up Stellar Phono Preamplifier you’ll notice its solid build and heft. Every inch of Stellar suggests quality: from its rear panel connectors, cartridge loading facilities, to its internal high current oversized power transformer. The internal shielding and build quality provide Stellar with up to 70dB of ultra low noise gain for MC cartridges as low as 0.15mv. On its rear panel find facilities for two inputs for two tonearms selectable from remote control, as well as both single ended and balanced outputs to match any preamplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMOVING MAGNET AND COIL\u003c\/li\u003e\n\u003cli\u003eFIXED AND VARIABLE LOADING\u003c\/li\u003e\n\u003cli\u003e70dB ULTRA LOW NOISE GAIN .15mv CARTRIDGES\u003c\/li\u003e\n\u003cli\u003e2x INPUTS FOR 2x TONEARMS\u003c\/li\u003e\n\u003cli\u003eSINGLE-ENDED BALANCED INPUTS\u003c\/li\u003e\n\u003cli\u003eDISCRETE FET DESIGN\u003c\/li\u003e\n\u003cli\u003eCLASS ‘A’ ANALOG CIRCUITRY\u003c\/li\u003e\n\u003cli\u003eNO ICs IN SIGNAL PATH\u003c\/li\u003e\n\u003cli\u003e20v RMS OUTPUT\u003c\/li\u003e\n\u003cli\u003ePASSIVE RIAA CURVE\u003c\/li\u003e\n\u003cli\u003eHAND SELECTED DISCRETE COMPONENTS\u003c\/li\u003e\n\u003cli\u003eDC COUPLED FROM INPUT TO OUTPUT\u003c\/li\u003e\n\u003cli\u003eLOW NOISE PRE + POST VOLTAGE REGULATION\u003c\/li\u003e\n\u003cli\u003eNO COMPLIMENTARY FET TRANSISTORS\u003c\/li\u003e\n\u003cli\u003eOVERSIZED POWER TRANSFORMER\u003c\/li\u003e\n\u003cli\u003eREMOTE CONTROL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe midrange on this phono preamp is as open, uncongested, transparent, and revealing as that of any phono preamp I’ve heard at any price.\u003c\/p\u003e\n\u003cp\u003eI recommend a listen to the Stellar to anyone in the market for a new phono preamp, regardless of price. I don’t think I’ve ever written that before.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.stereophile.com\/content\/ps-audio-stellar-phono-phono-preamplifier\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMichael Fremer \u003c\/strong\u003eStereophile\u003c\/p\u003e\n\u003cp\u003eThe Stellar Phono preamplifier projects an expansive sound stage, with the ability to extend wall to wall and create the illusion of the venue imagined by the artist.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/positive-feedback.com\/reviews\/hardware-reviews\/ps-audio-stellar-phono-preamplifier\/\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Hoffman \u003c\/strong\u003ePositive Feedback\u003c\/p\u003e\n\u003cp\u003eStellar offers the best performance for price, often outshining some far more expensive competitors. This preamp should be welcomed by experienced vinyl fans as well as newcomers to this marvelous medium. You would have to spend a lot more to seriously challenge what this affordable and great-looking component delivers; its ability to change critical settings from your easy chair is a real bonus. Highly recommended.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cartridgedude.com\/project\/ps-audios-stellar-phono-preamplifier-worth-the-wait\/?fbclid=IwAR22cwonSZvZWsB0z0fbeTqzIqDhUTwV2Hg25jGfGTmBizyqtU81TRAoHZk\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLawrence Devoe\u003c\/strong\u003e Tone Audio\u003c\/p\u003e\n\u003cp\u003eThe PS Audio Stellar phono preamplifier, once again, offers an incredible amount of features for the money–just like the PS Audio phono preamplifiers of yore. It’s also incredibly neutral, which makes it the perfect phono stage for evaluating cartridges. I found myself continually swapping out the ZYX Bloom 3, the Hana ML and the Sumiko Starling I reviewed for The Occasional No. 6 because the Stellar was so adept at revealing the differences between them.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/parttimeaudiophile.com\/2020\/03\/29\/ps-audio-stellar-phono-preamplifier-review\/\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarc Phillips \u003c\/strong\u003ePart Time Audiophile\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhysical\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnit Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e21.6 lbs (9.8 kg)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnit Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17 × 13 × 3.25 in (43 × 33.02 × 8.26 cm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e25.1 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Audio","offers":[{"title":"Black","offer_id":51961420284225,"sku":null,"price":5295.0,"currency_code":"AUD","in_stock":true},{"title":"Silver","offer_id":51961420316993,"sku":null,"price":5295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/phono-preampFront-black_1.jpg?v=1783681787"},{"product_id":"sutherland-engineering-kc-vibe-ac-phono-preamplifier","title":"Sutherland Engineering KC Vibe AC Phono Preamplifier","description":"\u003cp\u003eThe KC Vibe has developed a well-earned reputation as one of those rare phono preamplifiers that deliver a sonic performance well beyond their price range. Ron Sutherland is known for his high-end designs so when he decided to make a phono stage at a more accessible pricing level, he simply used the same design philosophy that he uses in his more expensive models and delivered an absolute gem.\u003c\/p\u003e\n\u003cp\u003eSome high-end design features are obvious even before you listen or take off the cover. The KC Vibe uses a 48V external power supply to provide a huge margin for extensive filtering and isolation. A ground screw is located on the back of the unit to connect a grounding wire coming from the turntable. There are also machined, gold plated and teflon insulated audio jacks. With the cover removed, you will see the signature Sutherland circuit board layout aesthetic. There are five available load settings and also five available gain settings.\u003c\/p\u003e\n\u003cp\u003eFor music enthusiasts who desire high performance without entering into higher pricing levels, the KC Vibe is a no-brainer. Amazing sonics with a great pedigree…plug it in and join the vinyl revival!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003ePlentiful loading and gain options for both MM and MC cartridges\u003c\/li\u003e\n\u003cli\u003eCompact, discreet chassis is impressively well-built and solid\u003c\/li\u003e\n\u003cli\u003eQuiet, dynamic, and musical beyond its modest price\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHome Theatre HiFi, Michael Galvin, 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI really don’t want to let the KC Vibe go. Sure, it is not the 20\/20’s equal, but at less than half the price, how could it be? It’s one of those components that is superb at communicating all aspects of music and it does so with great nuance that becomes easy to appreciate. The thing that gets me is that, like the 20\/20, it strikes this wonderful balance between relaxation and excitement that is immensely satisfying. Cue applause.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/hometheaterhifi.com\/reviews\/amplifier\/preamplifier\/sutherland-engineering-kc-vibe-phono-preamp-review\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCNET, Steve Guttenberg, 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMatch the Sutherland KC Vibe with a first-class turntable and phono cartridge and you’ll unlock heretofore unheard magic in your LPs. For as long as I’ve been an audiophile — a very long time — that experience never gets old. Well recorded LPs, including some I found on the street or bought in thrift stores for a dollar, never cease to amaze me.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.cnet.com\/news\/sutherland-kc-vibe-preamp-unlocks-unheard-magic-in-your-lps\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePositive Feedback, Maurice Jeffries, 2017\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVery, very highly recommended, and a real challenge for phono stage designers charging more but offering oh so much less musically. 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Valid only for units that have not been modified or abused.\u003c\/p\u003e","brand":"Sutherland Engineering","offers":[{"title":"Default Title","offer_id":51982687207745,"sku":"SUT-KCVIBE","price":2100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/hJGwcbjl_2x_9394463b-ffc2-400d-bb14-e8de5a6646ba_1.jpg?v=1784108822"},{"product_id":"sutherland-engineering-tz-vibe-trans-impedance-input-phono-preamplifier","title":"Sutherland Engineering TZ Vibe Trans-Impedance Input Phono Preamplifier","description":"\u003cp\u003e“Sutherland has the advantage of many model designs over the years. Every so often there is an opportunity to do some ‘design splicing’. All of that valuable knowledge and experience is combined into the TZ VIBE.”\u003cbr\u003eRon Sutherland\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDESIGN PHILOSOPHY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eTZ VIBE\u003c\/strong\u003e design has combined elements from two of our well established and highly regarded products. The KC VIBE provides the foundation and second gain stage. The little LOCO Mk2 provides the transimpedance (TZ) input gain stage. It is an incredible opportunity to try the Sutherland transimpedance experience at a more accessible price.\u003c\/p\u003e\n\u003cp\u003eRon Sutherland has been making phono preamps for a very long time. By focusing almost exclusively on phono preamps, his design and circuitry has benefited from continued refinement and improvement over the years. All of those designs were based upon voltage amplification. The cartridge delivers a small voltage to the phono preamp input. This voltage is then multiplied to create a larger output voltage (along with RIAA EQ). A typical voltage multiplier of 1,000 can also be expressed as 60dB. One millivolt in → one volt out.\u003c\/p\u003e\n\u003cp\u003eIn recent times you may have noticed a new kind of phono preamp design, usually referred to as ‘current input’ or ‘trans-impedance’. Until recently, that approach has been very much in the background. However, many audiophiles are now switching over to this style of phono preamplification because it offers some serious benefits. The first trans-impedance phono preamp released by Sutherland Engineering was the PHONO LOCO, which is an ‘all-out’ very high-performance design. Following the immediate success of the PHONO LOCO, there naturally followed a challenge to bring a big measure of that performance to a lower priced model. Sutherland launched the LITTLE LOCO but in recent times, Ron responded to a call to create a trans-impedance phono preamp at an even more accessible price point – the TZ VIBE! The design has combined elements from two of their well established and highly regarded products. The KC VIBE provides the foundation and second gain stage. The little LOCO Mk2 provides the transimpedance (TZ) input gain stage.\u003c\/p\u003e\n\u003cp\u003eAccording to a rapidly growing number of music lovers around the world, these new ‘current input’ or ‘trans-impedance’ design phono preamplifiers are attracting a lot of attention and respect because they have a unique ability to ‘dig deep into the music’ and ‘bring it to life’. They are dead quiet and very dynamic. The TZ VIBE has most of the magic that has made the LITTLE LOCO an instant classic but at a much -reduced pricing level. As long as you use exclusively MC phono cartridges, the TZ VIBE will not only enthral you… it is a true giant killer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Current Input?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn short, the input signal comes from the current flowing through the cartridge, NOT the voltage from the cartridge. That current information is the input for a transimpedance gain stage (the input signal is current and the output signal is voltage). The connections on the back panel of the TZ VIBE appear to be totally conventional. There is a ground screw for grounding the turntable, two RCA jacks for the input signal from the turntable and two RCA jacks deliver an output signal to your line-level preamp. There is, however, a requirement that both coil connections float with respect to ground. Turntable grounds and cable shields need to go to a separate ground wire. There must be no direct connection from either coil side to chassis ground.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Considerations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TZ VIBE presents a virtual short as the cartridge load. Instead of voltage being the input parameter, it is the current generated by the cartridge that conveys musical content. The endless worry about finding the ‘best’ load value is obviated. The cartridge must be the moving coil type. Those with low output will be embraced. \u003cu\u003eNot compatible with moving magnet or moving iron or step-up transformers\u003c\/u\u003e. Thanks to the new little LOCO Mk2 circuit, the shell of the RCA input jack is now at ground. There are no special TT cable requirements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoad Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are no loading adjustments in the TZ VIBE. Your cartridge will see a load of zero Ohms. The input signal will be the current your cartridge produces into that virtual short. No need to worry about or fuss around with loading choices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYour TZ VIBE is factory-set to medium gain. That should work very well in most situations. The usual concerns about cartridge output voltage do not apply here. Cartridges of varied output voltage specs tend to supply about the same level of drive current into a short. i.e. higher output voltages usually have an associated higher internal resistance. Lower output voltages usually have an associated lower internal resistance.\u003cbr\u003eIf your particular situation would benefit from a gain adjustment, you can change it. Inside, on the red circuit board, you will see movable shunts for gain setting. From the factory, they are set to MED GAIN. You can boost the output voltage by 6dB when the shunts are moved to HIGH GAIN. You can reduce the output voltage by 6dB when the shunts are moved to LOW GAIN.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustomer Feedback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“I was saying to my wife this week, the Graham Slee is good. It’d be an amazing feat to better it at this price point. Boy, the TZ Vibe did not disappoint. I put my ear right up to the speakers with the phono on with no music playing, no hum, very minimal background noise. Even more impressive given the gain setting I presume, is at the default middle setting. It has more gain at this level than the Graham Slee! But the extra microdetails picked up is the magic bit.”\u003cbr\u003e-Jacob\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono Preamplifier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e86–260 VAC, 5W universal, no adjustment required\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e229 mm (W) × 279 mm (D) × 51 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Box Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e318 mm (W) × 368 mm (D) × 165 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2.7 kg (6.0 lbs)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.3 kg (9.5 lbs)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5 years parts and labour (transferable). Valid only for units that have not been modified or abused.\u003c\/p\u003e","brand":"Sutherland Engineering","offers":[{"title":"Default Title","offer_id":51982689075521,"sku":"SUT-TZVIBE","price":3300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/BigLOCO-Hero_1.jpg?v=1784109414"},{"product_id":"sutherland-engineering-insight-phono-preamplifier","title":"Sutherland Engineering Insight Phono Preamplifier","description":"\u003cp\u003eThere comes a time when accumulated knowledge reaches a tipping point that insists upon a new product. The Insight phono preamplifier’s name was inspired by a moment where knowledge gained from the design of preceding phono opened new possibilities.\u003c\/p\u003e\n\u003cp\u003eRon Sutherland talks about ‘pride of ownership’. Although not expensive by high end standards, the Insight is a combination of solid, thoughtful engineering, with an artisanal attention to every design decision. Every detail matters. Good enough is NOT good enough. All the areas of performance, aesthetics, reliability, circuit design, circuit board layout, parts selection, packaging….. ALL of those aspects must seamlessly dovetail into one expression.\u003c\/p\u003e\n\u003cp\u003eFor example, conventional designs built to a budget use inexpensive, low-quality computer rocker switches. However, these components are non-optimal for configuring the low-level signal from a phono cartridge. To offer the user a wide range of configurations while maintaining signal integrity, the Insight uses gold-plated header pins and gold-plated shunts. They offer high-pressure and large surface area contacts. This is an example where Sutherland Engineering make that extra effort in areas that make a difference sonically.\u003c\/p\u003e\n\u003cp\u003eFor those with a taste for understated elegance, the Insight will deliver an enduring pride of ownership. The physical artistry is a means to solid, reliable, musicality. There is no affectation. Just a simple, pure link to your recorded treasures. It faithfully delivers musical joy, year after year.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlentiful loading and gain options for both MM and MC cartridges\u003c\/li\u003e\n\u003cli\u003eCompact, discreet chassis is impressively well-built and solid\u003c\/li\u003e\n\u003cli\u003eQuiet, dynamic, and musical beyond its modest price\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereophile – Class B Recommended, Editor Tested, Audiophile Approved, A-OK Product 2016\u003c\/li\u003e\n\u003cli\u003eStereophile – Stereophile’s Products of 2014 Analog–Insight, Runner-up 2014\u003c\/li\u003e\n\u003cli\u003eStereophile – Class B Recommended, Editor Tested, Audiophile Approved, A-OK Product 2014\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePositive Feedback, Peter Davey, 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuite fun reliving parts of my collection with this phono stage, detail and subtle nuances that never before presented themselves. Honestly, this phono stage will put some $10K+ devices to shame! It’s not about money, it’s about passion, engineering and soul—all things this new Insight phono stage encompasses.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.positive-feedback.com\/Issue66\/sutherland_insight.htm\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereophile, Michael Fremer \u0026amp; Art Dudley, 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGood pop records, too, liked the Insight, including Chris Stamey’s adventurous It’s a Wonderful Life (LP, DB Recs DB66). In the title song, the lead guitar—played during the verses with a mandolin-like tremolo—had a great sense of feel through the Sutherland, while the moderately compressed drum sound came across with good impact. Spatial layering, too, sounded believable and fun, and I noticed that the Insight had apparently greater channel separation than the Shindo’s phono stage.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.stereophile.com\/content\/sutherland-engineering-insight-phono-preamplifier\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono Preamplifier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e40, 45, 50, 55, or 60 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoading\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100, 200, 1k, 10k, or 47k Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e86–260 VAC, 5W universal, no adjustment required\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInternal switching power supply board\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e432 mm (W) × 305 mm (D) × 64 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Box Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e584 mm (W) × 457 mm (D) × 229 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.0 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.6 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5 years parts and labour (transferable). Valid only for units that have not been modified or abused.\u003c\/p\u003e","brand":"Sutherland Engineering","offers":[{"title":"Default Title","offer_id":51982695694657,"sku":"SUT-INSIGHT","price":3300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/36UbmGH2_2x_4c2c16cf-aaf5-4731-b006-8a10daaf0bb6_1.jpg?v=1784109692"},{"product_id":"sutherland-engineering-insight-phono-preamplifier-with-linear-power-supply","title":"Sutherland Engineering Insight Phono Preamplifier with Linear Power Supply","description":"\u003cp\u003eThere comes a time when accumulated knowledge reaches a tipping point that insists upon a new product. The Insight phono preamplifier’s name was inspired by a moment where knowledge gained from the design of preceding phono opened new possibilities.\u003c\/p\u003e\n\u003cp\u003eRon Sutherland talks about ‘pride of ownership’. Although not expensive by high end standards, the Insight is a combination of solid, thoughtful engineering, with an artisanal attention to every design decision. Every detail matters. Good enough is NOT good enough. All the areas of performance, aesthetics, reliability, circuit design, circuit board layout, parts selection, packaging….. ALL of those aspects must seamlessly dovetail into one expression.\u003c\/p\u003e\n\u003cp\u003eFor example, conventional designs built to a budget use inexpensive, low-quality computer rocker switches. However, these components are non-optimal for configuring the low-level signal from a phono cartridge. To offer the user a wide range of configurations while maintaining signal integrity, the Insight uses gold-plated header pins and gold-plated shunts. They offer high-pressure and large surface area contacts. This is an example where Sutherland Engineering make that extra effort in areas that make a difference sonically.\u003c\/p\u003e\n\u003cp\u003eFor those with a taste for understated elegance, the Insight will deliver an enduring pride of ownership. The physical artistry is a means to solid, reliable, musicality. There is no affectation. Just a simple, pure link to your recorded treasures. It faithfully delivers musical joy, year after year.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlentiful loading and gain options for both MM and MC cartridges\u003c\/li\u003e\n\u003cli\u003eCompact, discreet chassis is impressively well-built and solid\u003c\/li\u003e\n\u003cli\u003eQuiet, dynamic, and musical beyond its modest price\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStereophile – Class B Recommended, Editor Tested, Audiophile Approved, A-OK Product 2016\u003c\/li\u003e\n\u003cli\u003eStereophile – Stereophile’s Products of 2014 Analog–Insight, Runner-up 2014\u003c\/li\u003e\n\u003cli\u003eStereophile – Class B Recommended, Editor Tested, Audiophile Approved, A-OK Product 2014\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePositive Feedback, Peter Davey, 2013\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuite fun reliving parts of my collection with this phono stage, detail and subtle nuances that never before presented themselves. Honestly, this phono stage will put some $10K+ devices to shame! It’s not about money, it’s about passion, engineering and soul—all things this new Insight phono stage encompasses.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.positive-feedback.com\/Issue66\/sutherland_insight.htm\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereophile, Michael Fremer \u0026amp; Art Dudley, 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGood pop records, too, liked the Insight, including Chris Stamey’s adventurous It’s a Wonderful Life (LP, DB Recs DB66). In the title song, the lead guitar—played during the verses with a mandolin-like tremolo—had a great sense of feel through the Sutherland, while the moderately compressed drum sound came across with good impact. Spatial layering, too, sounded believable and fun, and I noticed that the Insight had apparently greater channel separation than the Shindo’s phono stage.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.stereophile.com\/content\/sutherland-engineering-insight-phono-preamplifier\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono Preamplifier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e40, 45, 50, 55, or 60 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoading\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100, 200, 1k, 10k, or 47k Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e86–260 VAC, 5W universal, no adjustment required\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInternal switching power supply board\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e432 mm (W) × 305 mm (D) × 64 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Box Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e584 mm (W) × 457 mm (D) × 229 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.0 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.6 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5 years parts and labour (transferable). Valid only for units that have not been modified or abused.\u003c\/p\u003e","brand":"Sutherland Engineering","offers":[{"title":"Default Title","offer_id":51982707097921,"sku":"SUT-INSIGHT-LPS","price":4200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/36UbmGH2_2x_4c2c16cf-aaf5-4731-b006-8a10daaf0bb6_1.jpg?v=1784109692"},{"product_id":"sutherland-engineering-20-20-mk2-phono-preamplifier","title":"Sutherland Engineering 20\/20 MK2 Phono Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eWhat is the 20\/20 and who needs it?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 20\/20 is a phono preamp that comes in one compact chassis, there are two identical circuit boards. One for the RIGHT channel and one for the LEFT channel. Each has it’s own shielded compartment and each has it’s own power supply. Thus it is truly a DUAL MONO implementation of a stereo phono preamp.\u003c\/p\u003e\n\u003cp\u003eIt performs beautifully and brings pleasure to music lovers all over the world. The design has proven to be rock solid with long-term stability and reliability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLPS for 20\/20 CONFIGURATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Linear Power Supply for 20\/20 is highly effective and simple. It offers rock-solid performance, stability, and reliability. There are no active voltage regulators or switching noise to interfere. Instead, it provides a lower noise floor and a more effortless presentation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoading Adjustments\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are five available loading settings. Loading is set using the supplied, gold-plated shunts. There is a load setting header block for each channel. Position the shunt to the desired loading value. Be sure to set the loading of each board to the same value.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Adjustments\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are five available gain settings. Gain is set using the supplied, gold-plated shunts. There is a setting header block for each channel. Position the shunt to the desired gain value. Be sure to set the gain of each board to the same value.\u003c\/p\u003e\n\u003cp\u003eThe Sutherland Engineering 20\/20 was created with a vision to achieve an extremely low noise floor and precise resolution. It is derived from the best elements of the previous models, the PH3D and the Hubble. It has an elegant aesthetic of performance, value, craftsmanship and minimalism. That heritage, however, does not keep the 20\/20 design from taking on its own unique character.\u003c\/p\u003e\n\u003cp\u003eEveryone wants the advantages of AC power line isolation offered by battery operation. The 20\/20 is for the person who wants those advantages but does not want to mess around with batteries. The 20\/20 comes as close as possible to offering an equivalence of battery isolation from AC line power. It is AC powered and super quiet!\u003c\/p\u003e\n\u003cp\u003eThe 20\/20 is a one box solution with literally two identical mono RIAA phono preamplifiers within. Each channel is on its own circuit board, has its own shielded compartment, power indicator, its own AC power supply and its own power cord. It is the ultimate in channel separation.\u003c\/p\u003e\n\u003cp\u003eThe resulting sonic performance is superb, with a very natural, smooth articulate sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo-Mono Construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the quest for the ultimate in stereo separation, the 20\/20 goes beyond dual mono, offering instead what Ron Sutherland likes to call “two-mono.” Many audiophiles prefer using mono-block amplification for the benefits of eliminating crosstalk and other noise contaminants associated with shared power supplies. They also prefer the benefit of each amp having its own reservoir of power, increasing dynamic capabilities, and giving the amp a sense of ease. This is exacerbated in a phono-preamplifier environment where noise is the worst of enemies. The 20\/20 may look like a conventional stereo phono stage but if you take off the cover you will discover two identical mono phono circuit boards, sharing only the same front and back panels. Power supplies, power cords , and all circuitry are separate. Even the power indicator lights are independent.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supplies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 20\/20 uses two regulated tabletop power supplies (one for each channel) to taps mounted toward the front of the dual mono circuit boards. These are SMPS units and the cables are “figure 8” with DC plug terminations like used on portable laptops. Only DC is present on these cables so the RF is not near any electronics. You plug these in on each chassis underneath then install the chassis in the rack. The wires are then groomed out the back to the wall or to the power strip of your choice. To understand why Sutherland have designed the power supply system in this way, let’s look at AC to DC power supply elements required for no-compromise high-end performance:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRectify the AC to DC\u003c\/li\u003e\n\u003cli\u003eFilter that DC\u003c\/li\u003e\n\u003cli\u003eUse that raw DC to power a regulating DC to DC switching inverter (this stage also provides galvanic isolation between the AC power line and the DC load)\u003c\/li\u003e\n\u003cli\u003eProvide additional levels of filtering to remove the high-frequency ripple from the switching inverter.\u003c\/li\u003e\n\u003cli\u003eProvide additional levels of noise isolation from the switching inverter to the load\u003c\/li\u003e\n\u003cli\u003eProvide local voltage regulation right at the audio circuitry.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFrom an engineering viewpoint, items 1, 2 and 3 can be accomplished with a well chosen, off-the-shelf table top power supply. It does those tasks well, reliably and at a very reasonable cost. The supplies included with the 20\/20 are rated at a MTF (Mean Time between Failure) of over 100,000 hours. They are used at less than 10% of their rated capacity, so reliably should be even further increased. If one were to fail, replacement is simple and inexpensive. In addition to that functionality, they are already safety tested and approved for use all over the world. A great deal more time, effort and money could be spent on custom circuitry – but to no performance advantage.\u003c\/p\u003e\n\u003cp\u003eFrom an audiophile viewpoint, it is items 4, 5 and 6 that determine the quality of DC available for the sensitive audio circuitry. That function is so important it takes up over 2\/3 of each amplifier’s circuit board area. Ten cascaded stages of passive RC filtering provide an enormous distance from the preamp area to the incoming DC power connector. There are over 35,000 microfarads of capacitance on each board. The electrical ‘distance’ is so great, when power is first applied, it takes over 10 seconds for the power to travel through these ten sections of filtering and reach the preamp stage. Voltage slowly ramps up until the zener diodes clamp it to the correct value. Until that voltage is reached, the audio output is muted. It is this section of circuitry that provides the extreme isolation from AC power line affects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDC Connector Location\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are no power connections on the back panel. Instead, you will find them located at the front and under the cover. That is one of those form follows function design decisions. The front of the circuit board is where the power enters the circuit, therefore that is where the connector is located. On your car, the gas cap is very near the gas tank. It is not located at the opposite end of the car.\u003c\/p\u003e\n\u003cp\u003ePutting the entry point at the front permits power supply wires (low voltage DC) to be routed well away from all the sensitive part of the circuit. Contrast that with the AC IEC power connector (high voltage AC) conventionally located on the back panel very near the preamp circuitry and all the input\/output jacks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeautiful on the Inside\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is the internal design and execution of the phono preamplifier which is responsible for its contribution to the sound. For those clients who are knowledgeable about electronic design, note that the 20\/20 has FR-4 fiberglass circuit boards (double-sided with plated thru holes), Dale\/Vishay 1% metal film resistors, Wima Polypropylene capacitors for power supply application by-passing custom-wound 1% polystyrene film capacitors for equalization. The chassis is 14-gauge cold rolled steel with a baked epoxy powder coat finish. The 1\/2“ thick anodized aluminium front panel features anodized artwork and the RCA connectors are gold plated \u0026amp; Teflon insulated. The configuration headers are also gold plated.\u003c\/p\u003e\n\u003cp\u003eThis intelligent architecture, attention to detail and craftsmanship results in a phono amplifier that sounds wonderful and gives you confidence that it will continue emotionally connecting you to your analogue music for many years to come.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlentiful loading and gain options for both MM and MC cartridges\u003c\/li\u003e\n\u003cli\u003eCompact, discreet chassis is impressively well-built and solid\u003c\/li\u003e\n\u003cli\u003eQuiet, dynamic, and musical beyond its price\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"930\" height=\"532\" src=\"https:\/\/www.youtube.com\/embed\/JDlGzN0nbGg\" title=\"Sutherland 20\/20 Phono Preamplifier: Two-Mono Analog\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSutherland 20\/20 Phono Preamplifier: Two-Mono Analog\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"930\" height=\"532\" src=\"https:\/\/www.youtube.com\/embed\/wIvwQZZd6Iw\" title=\"Ron Sutherland Talks About the Sutherland 20\/20 Phono Preamp\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eRon Sutherland Talks About the Sutherland 20\/20 Phono Preamp\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"930\" height=\"532\" src=\"https:\/\/www.youtube.com\/embed\/pAsxg3NLCX0\" title=\"Sutherland 20\/20 Phonostage Review w\/ Upscale Audio's Kevin Deal\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSutherland 20\/20 Phonostage Review w\/ Upscale Audio’s Kevin Deal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePositive Feedback, Maurice Jeffries, 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs I advised with Sutherland’s demure KC VIBE phono stage a while back, if you’re itching to step up from your long-in-the-tooth, decades-old $500 phono stage and can afford to spend $2K to do so, get thee hence to a Sutherland dealer and hear what all the fuss is about. You will not, I promise, be disappointed. Well done, Mr. Sutherland. Well done!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/positive-feedback.com\/audio-discourse\/sutherland-engineering-20-20-phono-stage\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Absolute Sound, Wayne Garcia, 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBut with something like Wilco’s “Jesus Don’t Cry,” from Yankee Hotel Foxtrot [Nonesuch], the sheer beauty of the 20\/20, its amazing instrumental separation, and wide-open staging are wonderful things. Then go back to Stravinsky. I’ve played this LP over dozens of different systems, and rarely do I have the thrillingly eerie feeling of stepping into a recorded space the way 20\/20 delivers it. In this regard it ranks among the finest at any price point.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.theabsolutesound.com\/articles\/sutherland-engineering-2020-phonostage-tas-215-6\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereophile, Brian Damkroger, 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter two months of listening to the 20\/20, and a lot of evenings spent surrounded by record jackets, my initial impression hasn’t changed: The 20\/20 is another winner. It’s simple and easy to use, gorgeous to behold, beautifully built, an absolutely superb sonic performer and one of the High End’s very best values.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.stereophile.com\/content\/sutherland-engineering-2020-phono-preamplifier\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono Preamplifier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e40, 46, 52, 58, or 64 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoading\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100, 200, 425, 1k, or 47k Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20W (10W per channel)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100–240 VAC (universal, no adjustments required)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 × External Regulated Tabletop Power Supplies\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e432 mm (W) × 305 mm (D) × 57 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.0 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.6 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5 years parts and labour (transferable). Valid only for units that have not been modified or abused.\u003c\/p\u003e","brand":"Sutherland Engineering","offers":[{"title":"Default Title","offer_id":51982709162305,"sku":"SUT-20\/20-MK2","price":5200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Sutherland_Engineering_2020Mk2_View1_1.jpg?v=1784110167"},{"product_id":"sutherland-engineering-20-20-phono-preamplifier-with-linear-power-supply","title":"Sutherland Engineering 20\/20 Phono Preamplifier with Linear Power Supply","description":"\u003cp\u003e\u003cstrong\u003eWhat is the 20\/20 and who needs it?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 20\/20 is a phono preamp that comes in one compact chassis, there are two identical circuit boards. One for the RIGHT channel and one for the LEFT channel. Each has it’s own shielded compartment and each has it’s own power supply. Thus it is truly a DUAL MONO implementation of a stereo phono preamp.\u003c\/p\u003e\n\u003cp\u003eIt performs beautifully and brings pleasure to music lovers all over the world. The design has proven to be rock solid with long-term stability and reliability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLPS for 20\/20 CONFIGURATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Linear Power Supply for 20\/20 is highly effective and simple. It offers rock-solid performance, stability, and reliability. There are no active voltage regulators or switching noise to interfere. Instead, it provides a lower noise floor and a more effortless presentation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoading Adjustments\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are five available loading settings. Loading is set using the supplied, gold-plated shunts. There is a load setting header block for each channel. Position the shunt to the desired loading value. Be sure to set the loading of each board to the same value.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Adjustments\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are five available gain settings. Gain is set using the supplied, gold-plated shunts. There is a setting header block for each channel. Position the shunt to the desired gain value. Be sure to set the gain of each board to the same value.\u003c\/p\u003e\n\u003cp\u003eThe Sutherland Engineering 20\/20 was created with a vision to achieve an extremely low noise floor and precise resolution. It is derived from the best elements of the previous models, the PH3D and the Hubble. It has an elegant aesthetic of performance, value, craftsmanship and minimalism. That heritage, however, does not keep the 20\/20 design from taking on its own unique character.\u003c\/p\u003e\n\u003cp\u003eEveryone wants the advantages of AC power line isolation offered by battery operation. The 20\/20 is for the person who wants those advantages but does not want to mess around with batteries. The 20\/20 comes as close as possible to offering an equivalence of battery isolation from AC line power. It is AC powered and super quiet!\u003c\/p\u003e\n\u003cp\u003eThe 20\/20 is a one box solution with literally two identical mono RIAA phono preamplifiers within. Each channel is on its own circuit board, has its own shielded compartment, power indicator, its own AC power supply and its own power cord. It is the ultimate in channel separation.\u003c\/p\u003e\n\u003cp\u003eThe resulting sonic performance is superb, with a very natural, smooth articulate sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo-Mono Construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the quest for the ultimate in stereo separation, the 20\/20 goes beyond dual mono, offering instead what Ron Sutherland likes to call “two-mono.” Many audiophiles prefer using mono-block amplification for the benefits of eliminating crosstalk and other noise contaminants associated with shared power supplies. They also prefer the benefit of each amp having its own reservoir of power, increasing dynamic capabilities, and giving the amp a sense of ease. This is exacerbated in a phono-preamplifier environment where noise is the worst of enemies. The 20\/20 may look like a conventional stereo phono stage but if you take off the cover you will discover two identical mono phono circuit boards, sharing only the same front and back panels. Power supplies, power cords , and all circuitry are separate. Even the power indicator lights are independent.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supplies\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 20\/20 uses two regulated tabletop power supplies (one for each channel) to taps mounted toward the front of the dual mono circuit boards. These are SMPS units and the cables are “figure 8” with DC plug terminations like used on portable laptops. Only DC is present on these cables so the RF is not near any electronics. You plug these in on each chassis underneath then install the chassis in the rack. The wires are then groomed out the back to the wall or to the power strip of your choice. To understand why Sutherland have designed the power supply system in this way, let’s look at AC to DC power supply elements required for no-compromise high-end performance:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRectify the AC to DC\u003c\/li\u003e\n\u003cli\u003eFilter that DC\u003c\/li\u003e\n\u003cli\u003eUse that raw DC to power a regulating DC to DC switching inverter (this stage also provides galvanic isolation between the AC power line and the DC load)\u003c\/li\u003e\n\u003cli\u003eProvide additional levels of filtering to remove the high-frequency ripple from the switching inverter.\u003c\/li\u003e\n\u003cli\u003eProvide additional levels of noise isolation from the switching inverter to the load\u003c\/li\u003e\n\u003cli\u003eProvide local voltage regulation right at the audio circuitry.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFrom an engineering viewpoint, items 1, 2 and 3 can be accomplished with a well chosen, off-the-shelf table top power supply. It does those tasks well, reliably and at a very reasonable cost. The supplies included with the 20\/20 are rated at a MTF (Mean Time between Failure) of over 100,000 hours. They are used at less than 10% of their rated capacity, so reliably should be even further increased. If one were to fail, replacement is simple and inexpensive. In addition to that functionality, they are already safety tested and approved for use all over the world. A great deal more time, effort and money could be spent on custom circuitry – but to no performance advantage.\u003c\/p\u003e\n\u003cp\u003eFrom an audiophile viewpoint, it is items 4, 5 and 6 that determine the quality of DC available for the sensitive audio circuitry. That function is so important it takes up over 2\/3 of each amplifier’s circuit board area. Ten cascaded stages of passive RC filtering provide an enormous distance from the preamp area to the incoming DC power connector. There are over 35,000 microfarads of capacitance on each board. The electrical ‘distance’ is so great, when power is first applied, it takes over 10 seconds for the power to travel through these ten sections of filtering and reach the preamp stage. Voltage slowly ramps up until the zener diodes clamp it to the correct value. Until that voltage is reached, the audio output is muted. It is this section of circuitry that provides the extreme isolation from AC power line affects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDC Connector Location\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are no power connections on the back panel. Instead, you will find them located at the front and under the cover. That is one of those form follows function design decisions. The front of the circuit board is where the power enters the circuit, therefore that is where the connector is located. On your car, the gas cap is very near the gas tank. It is not located at the opposite end of the car.\u003c\/p\u003e\n\u003cp\u003ePutting the entry point at the front permits power supply wires (low voltage DC) to be routed well away from all the sensitive part of the circuit. Contrast that with the AC IEC power connector (high voltage AC) conventionally located on the back panel very near the preamp circuitry and all the input\/output jacks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeautiful on the Inside\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt is the internal design and execution of the phono preamplifier which is responsible for its contribution to the sound. For those clients who are knowledgeable about electronic design, note that the 20\/20 has FR-4 fiberglass circuit boards (double-sided with plated thru holes), Dale\/Vishay 1% metal film resistors, Wima Polypropylene capacitors for power supply application by-passing custom-wound 1% polystyrene film capacitors for equalization. The chassis is 14-gauge cold rolled steel with a baked epoxy powder coat finish. The 1\/2“ thick anodized aluminium front panel features anodized artwork and the RCA connectors are gold plated \u0026amp; Teflon insulated. The configuration headers are also gold plated.\u003c\/p\u003e\n\u003cp\u003eThis intelligent architecture, attention to detail and craftsmanship results in a phono amplifier that sounds wonderful and gives you confidence that it will continue emotionally connecting you to your analogue music for many years to come.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlentiful loading and gain options for both MM and MC cartridges\u003c\/li\u003e\n\u003cli\u003eCompact, discreet chassis is impressively well-built and solid\u003c\/li\u003e\n\u003cli\u003eQuiet, dynamic, and musical beyond its price\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"930\" height=\"532\" src=\"https:\/\/www.youtube.com\/embed\/JDlGzN0nbGg\" title=\"Sutherland 20\/20 Phono Preamplifier: Two-Mono Analog\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSutherland 20\/20 Phono Preamplifier: Two-Mono Analog\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"930\" height=\"532\" src=\"https:\/\/www.youtube.com\/embed\/wIvwQZZd6Iw\" title=\"Ron Sutherland Talks About the Sutherland 20\/20 Phono Preamp\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eRon Sutherland Talks About the Sutherland 20\/20 Phono Preamp\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"930\" height=\"532\" src=\"https:\/\/www.youtube.com\/embed\/pAsxg3NLCX0\" title=\"Sutherland 20\/20 Phonostage Review w\/ Upscale Audio's Kevin Deal\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSutherland 20\/20 Phonostage Review w\/ Upscale Audio’s Kevin Deal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePositive Feedback, Maurice Jeffries, 2018\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs I advised with Sutherland’s demure KC VIBE phono stage a while back, if you’re itching to step up from your long-in-the-tooth, decades-old $500 phono stage and can afford to spend $2K to do so, get thee hence to a Sutherland dealer and hear what all the fuss is about. You will not, I promise, be disappointed. Well done, Mr. Sutherland. Well done!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/positive-feedback.com\/audio-discourse\/sutherland-engineering-20-20-phono-stage\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Absolute Sound, Wayne Garcia, 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBut with something like Wilco’s “Jesus Don’t Cry,” from Yankee Hotel Foxtrot [Nonesuch], the sheer beauty of the 20\/20, its amazing instrumental separation, and wide-open staging are wonderful things. Then go back to Stravinsky. I’ve played this LP over dozens of different systems, and rarely do I have the thrillingly eerie feeling of stepping into a recorded space the way 20\/20 delivers it. In this regard it ranks among the finest at any price point.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.theabsolutesound.com\/articles\/sutherland-engineering-2020-phonostage-tas-215-6\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereophile, Brian Damkroger, 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter two months of listening to the 20\/20, and a lot of evenings spent surrounded by record jackets, my initial impression hasn’t changed: The 20\/20 is another winner. It’s simple and easy to use, gorgeous to behold, beautifully built, an absolutely superb sonic performer and one of the High End’s very best values.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.stereophile.com\/content\/sutherland-engineering-2020-phono-preamplifier\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono Preamplifier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e40, 46, 52, 58, or 64 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoading\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100, 200, 425, 1k, or 47k Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20W (10W per channel)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100–240 VAC (universal, no adjustments required)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 × External Regulated Tabletop Power Supplies\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e432 mm (W) × 305 mm (D) × 57 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5.0 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.6 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5 years parts and labour (transferable). Valid only for units that have not been modified or abused.\u003c\/p\u003e","brand":"Sutherland Engineering","offers":[{"title":"Default Title","offer_id":51982723154241,"sku":"SUT-20\/20-MK2-LPS","price":6200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Sutherland__2020UpdatedLPS_1.jpg?v=1784110506"},{"product_id":"sutherland-engineering-linear-power-supply-for-the-20-20-phono-preamplifier","title":"Sutherland Engineering Linear Power Supply for the 20\/20 Phono Preamplifier","description":"\u003cp\u003eThis new Linear Power supply is specific to the 20\/20. The one box contains two isolated 48 volt linear power supplies. The truly dual mono nature of the 20\/20 is preserved. Simply plug the LPS's DC cables into your 20\/20 and enjoy your upgrade.\u003c\/p\u003e\n\u003cp\u003eThe LPS is incredibly effective. It is also straight forward in it’s simplicity. Rock solid in performance, stability and reliability. Nothing fussy about it. No active voltage series regulators to add their colorations. No switching regulator noise to deal with. Just a lower noise floor and a more relaxed and effortless presentation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe power transformer is toroidal for minimal radiated magnetic field. The already low magnetic field is further reduced by connecting the primary windings in series rather than parallel. The transformer flux density is reduced to half of normal.\u003c\/p\u003e\n\u003cp\u003eThe transformer's AC output is full-wave rectified, current-limited and applied to a first stage shunt regulator. That not only gives the first stage of voltage regulation, but it also smooths the current waveform drawn thru the transformer. The usual current spikes become much more sinusoidal in shape. Thus current spikes are not injected back into the power line or project a radiated noise field.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.5\" x 11\" x 2.5\" (W x D x H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12\" x 14\" x 7\" (W x D x H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnit Weight: 7 lbs\u003c\/p\u003e\n\u003cp\u003eShipping Weight: 11 lbs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Voltage Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e105 - 125 VAC, 12 watts\u003c\/p\u003e\n\u003cp\u003e210 -- 250 VAC (available on special order)\u003c\/p\u003e\n\u003cp\u003eNote: operating voltage is NOT universal and cannot be field modified.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded Cables\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne IEC, 6 ft power cable\u003c\/p\u003e\n\u003cp\u003eTwo DC output, 6 ft cables\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5 years parts and labor.\u003c\/p\u003e\n\u003cp\u003eTransferable. Only valid for units that have not been modified or abused.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Sutherland Engineering","offers":[{"title":"Default Title","offer_id":51982747566401,"sku":"SUT-LPS-20\/20","price":1200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/7HfcEmDR_2x_7004782a-aafe-4612-ad0d-035db8e84a43.jpg?v=1784110689"},{"product_id":"sutherland-engineering-duo-twin-chassis-phono-preamplifier","title":"Sutherland Engineering Duo Twin Chassis Phono Preamplifier","description":"\u003cp\u003eThe DUO is derived from the cost-no-object PhonoBlock and the cost-optimized 20\/20. \u003c\/p\u003e\n\u003cp\u003eNo expense was spared in the design and construction of the Phono Blocks. The Phono Blocks are at the pinnacle of phono preamp performance. It just doesn’t get any better. The 20\/20 was designed to get the most performance possible at its predetermined price point. To get there, extra was spent to get premium parts and circuitry into the signal path. Consequently, some expenses were squeezed out of less important areas.\u003c\/p\u003e\n\u003cp\u003eThose trade-offs have worked very well. The 20\/20 has delivered an extremely high level of performance at a reasonable price. It is an incredible performance value. What if all the price constraints in the 20\/20 were lifted? The price goes up, the performance goes up. It starts looking a lot like the PhonoBlock. The actual signal path of the 20\/20 is quite good. It uses a circuit very similar to the PhonoBlock. In critical positions, it also uses the same premium quality (and high cost) components. Very little was held back in that area.\u003c\/p\u003e\n\u003cp\u003eThe opportunity for upgrade is focused on a more refined power supply, improved circuit board properties and dual chassis construction. Enter the DUO...\u003c\/p\u003e\n\u003cp\u003eEach DUO has a built in AC power supply. There is an IEC power inlet on each chassis to accommodate the user's personal power cord choice. The shielded power supply module has one output. That output is split into two branches. One for each of the two gain stages. Each of those branches is independently filtered and regulated to provide a substantial foundation for the gain stages.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFR-4 fiberglass circuit boards\u003c\/li\u003e\n\u003cli\u003eDouble-sided with plated thru holes\u003c\/li\u003e\n\u003cli\u003e1\/8” thick for extra rigidity and minimal dielectric influence\u003c\/li\u003e\n\u003cli\u003eDale\/Vishay 1 % metal film resistors\u003c\/li\u003e\n\u003cli\u003eWima Polypropylene capacitors for power supply by passing and DC servo\u003c\/li\u003e\n\u003cli\u003eCustom wound, 1 % polystyrene film capacitors for equalization\u003c\/li\u003e\n\u003cli\u003e14 gauge cold rolled steel base baked epoxy powder coat finish\u003c\/li\u003e\n\u003cli\u003e1\/2 “ thick anodized aluminum panel\u003c\/li\u003e\n\u003cli\u003eAnodized in front panel artwork\u003c\/li\u003e\n\u003cli\u003eGold plated, Teflon insulated RCA connectors\u003c\/li\u003e\n\u003cli\u003eGold plated configuration headers and shunts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOptional Linear Power Supply Upgrade: \u003c\/strong\u003eFactory upgrade. 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Very little was held back in that area.\u003c\/p\u003e\n\u003cp\u003eThe opportunity for upgrade is focused on a more refined power supply, improved circuit board properties and dual chassis construction. Enter the DUO...\u003c\/p\u003e\n\u003cp\u003eEach DUO has a built in AC power supply. There is an IEC power inlet on each chassis to accommodate the user's personal power cord choice. The shielded power supply module has one output. That output is split into two branches. One for each of the two gain stages. 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The direct experience of the Little LOCO in your system will transcend any discussions we could have. I wish I could be there with you for a ‘high five’ moment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRon Sutherland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA couple of minutes after switching it on, Ron’s choice of words become completely understandable. Make sure you have someone with you as you will need them for the inevitable ‘high five moment’.\u003c\/p\u003e\n\u003cp\u003eRon Sutherland has been making phono preamps for a very long time. By focusing almost exclusively on phono preamps, his design and circuitry has benefited from continued refinement and improvement over the years. All of those designs were based upon voltage amplification. The cartridge delivers a small voltage to the phono preamp input. This voltage is then multiplied to create a larger output voltage (along with RIAA EQ). A typical voltage multiplier of 1,000 can also be expressed as 60dB. One millivolt in → one volt out.\u003c\/p\u003e\n\u003cp\u003eIn recent times you may have noticed a new kind of phono preamp design, usually referred to as ‘current input’ or ‘trans-impedance’. Until recently, that approach has been very much in the background. However, many audiophiles are now switching over to this style of phono preamplification because it offers some serious benefits. The first transimpedance phono preamp released by Sutherland Engineering was the PHONO LOCO, which is an ‘all-out’ very high-performance design. Following the immediate success of the PHONO LOCO, there naturally followed a challenge to bring a big measure of that performance to a lower priced model. So finally we have a ‘technology trickle-down’ from the PHONO LOCO to the new Little Loco Mk2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Current Input?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn short, the input signal comes from the current flowing through the cartridge, NOT the voltage from the cartridge. That current information is the input for a transimpedance gain stage (the input signal is current and the output signal is voltage). The connections on the back panel of the Little Loco Mk2 appear to be totally conventional. There is the usual IEC input for the power cord, a ground screw for grounding the turntable, and two RCA jacks for the input signal from the turntable. Finally, two RCA jacks deliver an output signal to your line-level preamp. There is, however, a requirement that both coil connections float with respect to ground. Turntable grounds and cable shields need to go to a separate ground wire. There must be no direct connection from either coil side to chassis ground.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoad Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are no loading adjustments in the little LOCO. Your cartridge will see a load of zero Ohms. The input signal will be the current your cartridge produces into that virtual short. No need to worry about or fuss around with loading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Little Loco Mk2 is factory set to medium gain which should work very well in most situations. The usual concerns about cartridge output voltage do not apply here. Cartridges of varied output voltage specs tend to supply about the same level of drive current to a short (higher output voltages usually have higher resistance while lower output voltages usually have lower resistance). Into a virtual short, most deliver about the same current signal. If your particular situation would benefit from a gain adjustment, you can change it.\u003c\/p\u003e\n\u003cp\u003eAccording to a rapidly growing number of music lovers around the world, these new ‘current input’ or ‘trans-impedance’ design phono preamplifiers are attracting a lot of attention and respect because they have a unique ability to ‘dig deep into the music’ and ‘bring it to life’. They are dead quiet and very dynamic. The Little Loco Mk2 has most of the magic that has made the PHONO LOCO an instant classic but at a much reduced pricing level. Be prepared to be seduced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat are the Differences between the Mk2 and Mk2 Versions?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2023, Sutherland Engineering updated the Little Loco to Mk2 specification. The transimpedance input stage was improved and the shell of the RCA input jack is now at ground level. There are now no special requirements or concerns for signal interconnection to the turntable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"913\" height=\"514\" src=\"https:\/\/www.youtube.com\/embed\/t2O3UXlKfL4\" title=\"Getting more music from the groove: Sutherland Little Loco preamp\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/hometheaterhifi.com\/reviews\/vinyl\/turntable-accessories\/sutherland-engineering-little-loco-phono-preamp-review\/\"\u003eHome Theatre \u0026amp; HiFi, Rick Schmidt, 2020\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sutherland Little Loco Phono Stage competes way above its price point and delivers transimpedance intrigue along with the music, it is a different experience from conventional phono stages.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/hometheaterhifi.com\/reviews\/vinyl\/turntable-accessories\/sutherland-engineering-little-loco-phono-preamp-review\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono Preamplifier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Voltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e210–250 VAC (not universal and cannot be field modified)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e432 mm (W) × 305 mm (D) × 57 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Box Dimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e559 mm (W) × 432 mm (D) × 229 mm (H)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e6.8 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8.2 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5 years parts and labour (transferable). Valid only for units that have not been modified or abused.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Sutherland Engineering","offers":[{"title":"Silver","offer_id":52069245976897,"sku":"SUT-LITTLE-LOCO-MK","price":8800.0,"currency_code":"AUD","in_stock":true},{"title":"Black","offer_id":52069246009665,"sku":"SUT-LITTLE-LOCO-MK2-BL","price":9000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Sutherland_Little_Loco_Phono_Preamp_05_Angle_Left_15bc439b-3d95-4b03-8d30-41282f531578_1.jpg?v=1784113486"},{"product_id":"sutherland-engineering-dos-locos-transimpedance-phono-preamplifier","title":"Sutherland Engineering Dos LOCOS Transimpedance Phono Preamplifier","description":"\u003cp\u003e\u003cstrong\u003eWhat is the Dos LOCOS and who needs it?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe journey to create the DOS LOCOS is a story of collaboration and discovery, highlighting the process as much as the outcome.\u003c\/p\u003e\n\u003cp\u003eBorn from the innovative spirit of the Phono Loco, with its pioneering all-transimpedance approach, the DOS LOCOS stands as a significant advancement in Ron Sutherland’s artistry.\u003c\/p\u003e\n\u003cp\u003eFor the first time, he teamed with trusted, passionate experts to add an ear-approved essence to his already proven approach to elegant circuitry.\u003c\/p\u003e\n\u003cp\u003eSutherland and team patiently experimented with combinations of parts and processes until they happily arrived at the moment where the music left everyone speechless. Only then did the DOS LOCOS arrive.\u003c\/p\u003e\n\u003cp\u003eEverything that made the PHONO LOCO such a landmark piece — its no-compromises approach with no concession or allowance for anything that clutters the signal path — is refined to the point of pure musicality with the dual-mono DOS LOCOS.\u003c\/p\u003e\n\u003cp\u003eIs it twice as crazy good, as the name might suggest? At least!\u003c\/p\u003e\n\u003cp\u003eChad LaFever, Ron Sutherland, and Abby LaFever\u003c\/p\u003e\n\u003cp\u003eThis phono preamp isn’t about specs and stats. Nor is it about announcing Sutherland’s genius. It’s about a group of likeminded music lovers relentlessly pursuing a sound that, before now, only existed in their imaginations.\u003c\/p\u003e\n\u003cp\u003eThere is no explaining the DOS LOCOS — not in the technobabble way normally used to sell audio components. By their own admission, Team Sutherland “moved into” something that goes well beyond technical description.\u003c\/p\u003e\n\u003cp\u003eTheir journey didn’t center around a test bench but rather the sweet spot of their listening room. The decision tree throughout the entire project revolved around one simple question:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Realized?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSutherland’s approach to audio engineering is disciplined and values-driven, focusing on high-quality, reliable components without succumbing to the temptation of adding unnecessary complexity. Our minimalist design ensures a signal path of unparalleled purity, letting nothing stand between you and the music.\u003c\/p\u003e\n\u003cp\u003eThe brilliance of this design isn’t in how many parts are added to the signal path but rather how \u003cem\u003efew\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eBut those things have always been hallmarks of Sutherland Engineering. The DOS LOCOS is at a new level. It adds an indescribable mysticism that simply must be heard to understand.\u003c\/p\u003e\n\u003cp\u003eThis is your invitation to listen — to truly listen — and to be moved.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Adjustments\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInternally adjustable to HIGH, MED or LOW. Transimpedance gain cannot be expressed in dB. There is plenty of gain for very low output MC cartridges. Even with the lowest output MC, background noise vanishes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCartridge Compatability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUse only low output MC, less than 20 Ohms internal resistance. Not MM, nor high output MC.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSilver with Amber LED or Black with Blue LED\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Application\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUse a DOS LOCOs pair for stereo. See owner’s manual for details.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono Application\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUse a single DOS LOCOS for optimal performance with your MONO cartridge. See owner’s manual for details\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e120 VAC\u003c\/p\u003e\n\u003cp\u003e240 VAC (Special Order)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (WHD)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17\" × 2 1\/2\" × 13\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e11 lb.\u003c\/p\u003e","brand":"Sutherland Engineering","offers":[{"title":"Silver","offer_id":51984660201793,"sku":"SUT-DOSLOCOS-SI","price":22500.0,"currency_code":"AUD","in_stock":true},{"title":"Black","offer_id":51984660234561,"sku":"SUT-DOSLOCOS-BL","price":22500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Sutherland_Engineering_DosLOCOS_View1_1.jpg?v=1784153116"},{"product_id":"sutherland-engineering-sutz-trans-impedance-gain-stage-sut-replacement","title":"Sutherland Engineering SUTZ Trans-Impedance Gain Stage (SUT Replacement)","description":"\u003cp\u003eif you have a phono pre-amplifier that you are happy with but are frustrated with the hassles of operating a step-up transformer, the Sutherland Engineering SUTZ will be of great interest to you. It offers a trans-impedance gain stage for a low output MC cartridge. The signal is amplified to a few millivolts and then transferred to the MM input of your phono pre-amplifier. There is no discernible sonic signature, just a clean clear, detailed gain stage.\u003c\/p\u003e\n\u003cp\u003eNo more need for step-up transformers and all the hassles that are associated with them. Given the way the trans-impedance circuit works, you also give up the endless search for perfect loading. Headaches gone!\u003c\/p\u003e\n\u003cp\u003eFurthermore, it offers a great level of sonics, allowing you to realise your cartridge’s potential.\u003c\/p\u003e\n\u003cp\u003eRon Sutherland has just created a new genre of component, typical of the brand’s leading role in the high-end phono pre-amplifier market. Innovation at it’s best, prompting the question: “Why didn’t anyone think of this before?”\u003c\/p\u003e","brand":"Sutherland Engineering","offers":[{"title":"Default Title","offer_id":51984736780609,"sku":"SUT-SUTZ","price":8800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Sutherland-SUTZ.jpg?v=1784153742"},{"product_id":"ypsilon-vps100-mk2-phono-stage","title":"Ypsilon VPS100 Mk2 Phono Stage","description":"\u003cp\u003eFor Ypsilon Electronics, the road to creating the VPS-100 Mk2 took many turns in an extensive process of evaluating topologies, materials, design and implementation.\u003c\/p\u003e\n\u003cp\u003eUltimately, passive RIAA equalisation was chosen. It was observed that when active RIAA equalisation is used, a feedback loop exists and the RIAA network is in this feedback loop. RIAA equaliser circuits are commonly implemented with capacitors and resistors (CR networks) but this presents further challenges. Capacitors by their very nature exhibit ‘dielectric absorption’ characteristics. Energy is stored in the dielectric material and then is added to the signal with a small delay, which produces a ‘ringing’ characteristic in fundamental notes. These ringing sonic artefacts can be noticed especially in piano notes and result in a slight smearing effect. In the past an alternative way of implementing a RIAA equalizer the LCR (Inductance-capacitance-resistance) circuit was proposed.\u003c\/p\u003e\n\u003cp\u003eA long time ago, TANGO transformers from Japan used to produce such a circuit working in 600Ohms. A few manufacturers are using LCR based phono stages using variations of the original TANGO LCR circuit. The challenge with 600 ohm LCR EQ is to drive the network properly; having no more than 2 gain stages with enough overall gain and low enough output impedance. The best way of driving the LCR network is by using a transformer. Ypsilon design and build the transformers using a special amorphous c-core material. Winding insulation is paper. A properly implemented LCR RIAA sounds much more natural, musical and open with better defined macro and micro dynamics in comparison to CR networks. The LCR networks most commonly used are based in double T-filter networks. One T-filter forms the 50-500Hz poles and the second T-filter forms the 2,123Hz pole.\u003c\/p\u003e\n\u003cp\u003eIn the VPS-100 design, Ypsilon took this approach to another level. The 2,123Hz pole is formed by an air core inductor with practically no stray capacitance at the first gain stage and the 50-500Hz poles are formed at a high signal level directly at the output of the second gain stage. This unique topology is a split RIAA design using two gain stages based on the SIEMENS C3g tube. These tubes are very reliable as they are specified for over 10,000 hours.\u003c\/p\u003e\n\u003cp\u003eThe power supply uses the 6CA4 rectifier tube and a choke filter. The heaters for the tubes are AC in the second stage and DC passive regulated for the first stage. The construction uses no printed circuit boards and is point to point silver wired using Ypsilon’s own extruded and annealed to spec silver wire. Special attention is paid to mechanically de-couple the first gain stage and 2123 pole coils using a specially designed decoupling system. The rest of the construction is mounted on an aluminium sub-chassis that forms together with the aluminium bottom plate a very rigid platform.\u003c\/p\u003e\n\u003cp\u003eIn late 2023, Ypsilon released the Mk2 version of the VPS-100. The changes were mainly component level:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDifferent input and output tubes. Input tubes now are 6ZH11p and the output tube is an EC8010 (same tube as is used in the SET100 Ultimate and Aelius 2).\u003c\/li\u003e\n\u003cli\u003eThe power supply capacitors now are 4-pole types. These weren’t available when the VPS-100 was originally designed.\u003c\/li\u003e\n\u003cli\u003eThere has been a change from an aluminium foil interstage Jensen cap or copper foil in the SE version to a custom made Duelund copper or silver foil to standard and SE version respectively.\u003c\/li\u003e\n\u003cli\u003eRefined filtering in the power supply that better preserves operating points of the tubes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe VPS-100 has taken the performance of a phono pre-amplifier to an unprecedented level. The level of natural tonality is incredible to experience and places this phono stage as one of the world’s very best.\u003c\/p\u003e\n\u003ch3\u003eReviews\u003c\/h3\u003e\n\u003cp\u003eAnalogaholic, Jeff Dorgay, 2015\u003c\/p\u003e\n\u003cp\u003eAgain, the most impressive aspect of the Ypsilon is the effortlessness of its presentation. The moment the tonearm is lowered onto the record, the concept of listening to a music system disappears from your consciousness, allowing you to enjoy music reproduced without limitation. And that’s truly what high-end audio is all about.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tonepublications.com\/review\/review-ypsilon-vps-100-phono-preamplifier\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eDagogo, Fred Crowder, 2011\u003c\/p\u003e\n\u003cp\u003eThe Ypsilon VPS-100 is far superior to any other phonostage, tube or solid-state, which I have auditioned by a rather significant margin…….I hope that my enthusiasm comes through. In the end, I bought the review sample.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.dagogo.com\/ypsilon-vps-100-tube-phono-preamplifier-mc16-step-up-transformer-review\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePositive Feedback, Marshall Nack, 2011\u003c\/p\u003e\n\u003cp\u003eMan, what a natural, refined sound!” was my first enthusiastic response to the VPS 100. The differences lay in the quantity and quality of low-level information. The convincing little events are there, but equally important as this abundance of micro-level stuff is their terrific timbral and dynamic fidelity. The VPS 100 conjoins excellent performance on the objectivist criteria with the unique qualities only step-up designs bring. The difference is this is the first step-up design that doesn’t exhibit the step-up weaknesses. As a total package, the Ypsilon VPS 100 Phono Stage offers the finest, most satisfying, analog playback I’ve heard to date.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/positive-feedback.com\/Issue57\/ypsilon.htm\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifiications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e47 kΩ \/ 200 pF\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1,200 Ω\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA (unbalanced), XLR (unbalanced, pins 1 and 3 grounded)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-3 dB @ 10 Hz–40 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Output Voltage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e5 V peak @ 1 kHz, 50 V peak @ 50 Hz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIAA Accuracy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e±0.5 dB (20 Hz–20 kHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChannel Mismatch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026lt;0.2 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e39 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20 W\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (W × H × D)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e400 × 180 × 400 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e25 kg\u003c\/p\u003e","brand":"Ypsilon","offers":[{"title":"Standard","offer_id":51994970227009,"sku":"YPS-VPS100-MK2","price":44000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/products-ypsilon-vps100-2-1000x1000-600x600_orig_1.jpg?v=1784342791"},{"product_id":"ypsilon-mcl-step-up-transformers","title":"Ypsilon MCL Step Up Transformers","description":"\u003ch2\u003eYpsilon MC\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eStep Up Transformers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MC series moving coil step-up transformers are used to amplify the low-level output signal from a moving coil cartridge, bringing it to the appropriate level to drive a moving magnet phono pre-amplifier.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe MC5 provides 5 times transformation ratio or 14db of gain\u003c\/li\u003e\n\u003cli\u003eThe MC10 provides 10 times transformation ratio or 20db of gain.\u003c\/li\u003e\n\u003cli\u003eThe MC16 provides 16 times transformation ratio or 24db of gain.\u003c\/li\u003e\n\u003cli\u003eThe MC20 provides 20 times transformation ratio or 26db of gain.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhen terminated in 47k which is the standard input impedance of MM phono preamps the equivalent input impedance of each one would be:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMC5 – 2 kOhm\u003c\/li\u003e\n\u003cli\u003eMC10 – 500 Ohm\u003c\/li\u003e\n\u003cli\u003eMC16 – 200 Ohm\u003c\/li\u003e\n\u003cli\u003eMC20 – 140 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIf additional loading is needed, it can be done through the parallel input RCA connectors.\u003c\/p\u003e\n\u003cp\u003eThe MC series transformers are large size single C-core double coil transformers using a proprietary amorphous core material. Special winding techniques were developed in order to minimize inter-winding capacitances and maintain a wide frequency response. They are optimised sonically to be as invisible as possible.\u003c\/p\u003e\n\u003cp\u003eThe transformers are shielded with mu-metal and are potted in 10mm thick soft iron nickel coated enclosures providing immunity from outside magnetic fields and a quiet and noise-free performance. The MC transformers have been developed in conjunction with the VPS-100 phono pre-amplifier but can be used with most other phono preamplifiers and with most of the moving coil cartridges available in the market. For optimum performance the MC transformers can be used within a specific range of cartridge output levels.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMC5 may be used with cartridges from 0.8-1.2mV\u003c\/li\u003e\n\u003cli\u003eMC10 may be used with cartridges from 0.4-0.6mV\u003c\/li\u003e\n\u003cli\u003eMC16 may be used with cartridges from 0.3-0.4mV\u003c\/li\u003e\n\u003cli\u003eMC20 may be used with cartridges from 0.2-0.3mV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDagogo, Fred Crowder, 2011\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ypsilon VPS-100 (in combination with the MC16) is far superior to any other phonostage, tube or solid-state, which I have auditioned by a rather significant margin…….I hope that my enthusiasm comes through. In the end, I bought the review sample.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.dagogo.com\/ypsilon-vps-100-tube-phono-preamplifier-mc16-step-up-transformer-review\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProducct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMCL-5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-3 dB (source impedance \u0026lt; 50 Ω), 8 Hz–70 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 kΩ (when terminated @ 47 kΩ)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e14 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInductance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e80 H\u0026lt;\u0026lt; (measured @ secondary)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Level @ 20 Hz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e+20 dBu (measured @ secondary)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (H × D)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100 × 120 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMCL-10\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e-3 dB (source impedance \u0026lt; 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Designed with audiophiles, record collectors and vinyl freaks in mind, it boasts 4 inputs for all your turntables, tone-arms and cartridges. It also supports every possible adjustment on the fly with dedicated knobs and switches to ideally match your MC or MM cartridge.\u003c\/p\u003e\n\u003cp\u003eThe unique, adjustment feature of the Moonriver 505 hybrid phono stage allows “on the fly” listening tests with various adjustments without the need to switch off, remove the cover, switch on again and wait to warm it up.\u003c\/p\u003e\n\u003cp\u003eThe hybrid design combines the use of ICs and discrete solid-state circuits to form an ideal, high performance and ultra low noise circuit. While the IC op amps offer very low noise levels, a discrete circuit offers lifelike drive and dynamics which is impossible to get from IC op-amps.\u003c\/p\u003e\n\u003cp\u003eAs for the sonic signature of all Moonriver Audio products, we strive to balance the fine line between musicality \u0026amp; resolution. The soul of the music is in the midrange, this is where most of the emotion, the passion, the joie de vivre is contained.\u003c\/p\u003e\n\u003cp\u003eOn a technical level, it’s within the frequency band of 200 – 4,000Hz. Without a solid foundation underneath the midrange, the music sounds thin \u0026amp; brittle and often un-involving. If the brain perceives that the sound is artificial, then it’s difficult to be swept away by the message contained within the music.\u003c\/p\u003e\n\u003cp\u003eSimilarly, accurate timbre reproduction is essential. A New York Steinway does have noticeable sonic differences from a Hamburg Steinway, while a Guarneri violin sounds distinct from a Stradivarius. To capture all those nuances, the loudspeakers \u0026amp; electronics need to act in unison, neither obscuring, nor exaggerating detail.\u003c\/p\u003e\n\u003cp\u003eThe sound and the level of performance of the Moonriver 505 phono stage is hard to describe and it must be heard to be believed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLayout highlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe layout of the PCB is designed with 3 principles in mind: Isolation in-between noise sources and sensitive audio signal as the transformer and gain stages, a minimalistic approach with less components as possible in the signal and the shortest signal path possible. Moonriver 505 is using double shielding, one for the transformer and one for the active gain circuits. This approach eliminates the need for an external transformer and the disadvantages of it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMade In Sweden\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur products are designed and made in Sweden. We hand-assemble each unit, a painstaking but precise procedure. Through a global inventory that is constantly updated, it is our sophisticated research, efficient development and extensive listening tests -the fun part- that lead us to select the right component for a no-compromise audiophile sound.\u003c\/p\u003e\n\u003cp\u003eWe also care for sustainability as well as for reliability. Moonriver products are covered by a 3-year warranty and are designed to last for decades without any need of maintenance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign \u0026amp; User Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe had a very clear vision when conceiving the Model 505 hybrid phono stage: Classic design with a modern touch; high quality materials such as oversized aluminium knobs, solid walnut cheeks, sturdy chassis and an ergonomic user interface.\u003cbr\u003eThere are no “for show” aesthetics here, no display with complicated serial menus and hidden functions, nor a single multi-function knob for “minimalistic” purposes.\u003cbr\u003eThe heart of the Model 505 is pure and minimal, but the interface is user-oriented and easy to operate by anyone in seconds, with no need to resort to the user manual.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGiving direct access to all necessary adjustments, the 505 includes 4 knobs and 5 switches for all the adjustments: 4 inputs, 12 gain settings (6 for MM and 6 for MC), 5 MM capacitance settings, 5 MC load settings, including a custom option, 3 MM load settings and EQ choice for RIAA, Decca or Columbia 78 rpm records. The 505 phono stage will handle the signal from your precious MC cartridge with unmatched performance and it will make your everyday MM cartridge sound like never before.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComponents\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe layout is mainly based on discrete, through hole components except the input for MM and MC stages with their impedance and capacitance adjustments which are using surface mount components to keep the signal path as short as possible. The components are carefully chosen in order to deliver the most possible open and transparent sound from input to output and to reveal the texture and the micro and macro dynamic content of each record. The Moonriver 505 hybrid phono stage reveals previously unheard details and qualities in your vinyl records, including micro-contrast and low level information that you may have not experienced otherwise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Moonriver 505 hybrid phono stage contains 6 separated power supplies, including a massive 70000uf total capacitance and it is designed in dual mono operation. Each stage has its own power supply, including a linear discrete regulator circuit and a discrete noise rejection circuit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eActive gain stage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUsing ultra low noise active gain stages, the Moonriver 505 delivers a maximum gain of 72dB (x4000 times) in the MC setting. The MM and MC settings use different input stages with different op amps specifically chosen for each case. All setting functions are performed with air sealed, extremely low impedance relays. Finally, a discrete, high current output circuit delivers lifelike dynamics on the output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrocontroller operation with save memory function\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA microcontroller controls all functions and ensures an entirely silent operation. Every setting change is stored automatically for each of the 4 inputs. Every time you change the input, the last chosen settings are recalled automatically. For example, you can connect 4 MC cartridges or 4 MM cartridges or 2MC and 2 MM, or 3 MM and one MC, every combination is possible with different settings for every input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDe-emphasis EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe de-emphasis circuit is passive, the best possible approach for extreme flat frequency response without interference with the other stages. The EQ circuits involve 2 equalisation curves, a RIAA and a DECCA or COLUMBIA curve for 78rpm records. Both EQ circuits are formed using a minimalistic approach with very few, extremely low tolerance, audiophile quality components.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Moonriver_505_LPmag_Award_BIG.jpg?v=1784364905\" alt=\"\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Hifimusik_BRA_LJUD_153.jpg?v=1784364905\" alt=\"\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Moonriver_404_Ref_Stereophile_2025_Logo_big.jpg?v=1784364905\" alt=\"\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Moonriver_404_Std_Ear_Logo_1.jpg?v=1784364904\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Gain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e34 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e72 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCapacitance Values\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e100, 220, 330, 470, 680 pF\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMC Load Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10 Ω, 47 Ω, 100 Ω, 470 Ω, 1 kΩ, and Custom\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMM Load Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e22 kΩ, 47 kΩ, 75 kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDe-emphasis Curve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRIAA, Decca, or Columbia\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\/Mono Function\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\/Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eXLR and RCA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransformer \u0026amp; Gain Stage Shielding\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSeparate shielding for the transformer and gain stages\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuto Mute Function\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (W × D × H)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e430 × 390 × 135 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12 kg\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDownloads\u003c\/strong\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1xCgFjJx7nUSL33d_98qM8CmEtpGHgk5a\/view?usp=sharing\"\u003eMoonriver 505 Phono stage User Manual \u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1SiB2q4VfscYGW8DT8LK9Z8c13N7I-hRv\/view?usp=sharing\"\u003eMoonriver 505 Phono stage Poster\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1ji3fi50X6CLY8_ykinbQhPkp5FtiNTOg\/view?usp=sharing\"\u003eMoonriver 505 Phono stage Flyer\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/10il3CUQfoi9lh112s4wQuxjiTpEsM2gX\/view?usp=sharing\"\u003eMoonriver Audio Press Kit\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Moonriver Audio","offers":[{"title":"Default Title","offer_id":51995255374145,"sku":null,"price":7995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Moonriver_505_Front_Zoom_1.jpg?v=1784364918"},{"product_id":"aesthetix-janus-saturn-series-full-function-preamplifer-with-phono-stage","title":"Aesthetix Janus Saturn Series Full Function Preamplifer with Phono Stage","description":"\u003cp\u003eThe Aesthetix Janus is a full-function all-tube preamplifier with six line level inputs and one phono input. The Janus represents the key features of Rhea phono stage and Calypso line stage combined into a single chassis. All tube amplification and output, a fully balanced line stage, discrete switched resistor volume control, versatile single-ended and balanced inputs and outputs, and dual-mono audio boards are all part of sophisticated Janus design. The full function remote controls all preamp and phono functions, including gain, loading, absolute phase and the internal demagnetiser. True to its Saturn Series heritage, the build and sound quality of Janus have won it global praise, including the 2010 and 2011 TAS Editor’s Choice Awards.\u003c\/p\u003e\n\u003cp\u003eThe Janus has the following features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFully balanced differential line-level circuitry with ability to internally balance a single ended input signal.\u003c\/li\u003e\n\u003cli\u003eRCA and XLR provided for each input.\u003c\/li\u003e\n\u003cli\u003eDiscrete resistor volume control with 88 1dB steps.\u003c\/li\u003e\n\u003cli\u003eZero feedback.\u003c\/li\u003e\n\u003cli\u003ePhono input: 40-75dB gain maximum, selectable via front panel or remote control.\u003c\/li\u003e\n\u003cli\u003eBuilt-in MC cartridge demagnetizer.\u003c\/li\u003e\n\u003cli\u003e9 MC loading settings: 75-47,000 ohms, selectable via front panel or remote control.\u003c\/li\u003e\n\u003cli\u003eAll tube amplification and output (12 tubes total).\u003c\/li\u003e\n\u003cli\u003eTwo sets of XLR and two sets of RCA outputs per channel.\u003c\/li\u003e\n\u003cli\u003eBypass mode for home theatre processor throughput.\u003c\/li\u003e\n\u003cli\u003eAbsolute phase, selectable via front panel or remote control.\u003c\/li\u003e\n\u003cli\u003eFull function remote included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAll of this attention to detail has resulted in a full-function preamplifier that transcends what is normally expected from an audiophile piece of equipment. The Janus scales heights that are normally the realm of uber-expensive products and it does it with ease. Sound quality is the prime objective here and the Janus is a phenomenal achievement. This value for money quality is spoken about in all the audio press and the Janus has accumulated many awards \u0026amp; accolades. These reasons are why Aesthetix products have developed a passionate following around the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelect a Specification to Suit Your Needs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Janus is available in 3 versions, depending on the level of specification required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJanus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTube linestage using high-grade Rel-Cap polypropylene coupling capacitors.\u003c\/li\u003e\n\u003cli\u003eStandard edition.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJanus Signature Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Signature version uses custom-made inter-stage Teflon hybrid coupling capacitors, replacing the polypropylene units, between the gain stage and output stage (2 per channel). The change in these capacitors results in higher resolution, extension, less grain and more air. The 2uF output coupling capacitors (4 per channel) are replaced with 4uF Dynamicaps. This change provides more drive, bass extension, resolution and dynamics while also reducing grain.\u003c\/li\u003e\n\u003cli\u003eFor the phono section, the Signature Version uses custom-made inter-stage Teflon hybrid coupling capacitors, replacing the polypropylene units, between the 2nd and 3rd gain stages(2 total per channel). The change in these capacitors results in higher resolution, extension, less grain and more air.\u003c\/li\u003e\n\u003cli\u003eThe 2uF output coupling capacitors that drive the line section (2 per channel) are replaced with 4uF Dynamicaps. This change provides more drive, bass extension, resolution and dynamics while also reducing grain.\u003c\/li\u003e\n\u003cli\u003eHighly specialized adjustable air-core capacitors, used primarily in the radio-frequency realm, are installed and adjusted to “tweek” each unit to a rigid standard.\u003c\/li\u003e\n\u003cli\u003eThe five rubber feet are replaced with Harmonic Resolutions Systems’ Nimbus Couplers specially made for Aesthetix (Earlier Signature Saturn pieces did not incorporate this, please contact Aesthetix for this free upgrade if you have an earlier Signature piece without the Nimbus Couplers). This change results in a lower noise floor and more air and space.\u003c\/li\u003e\n\u003cli\u003eThe cost of these specialized parts alone is about 1\/4 the manufacturing cost of a brand new unit! Any tubes that can be bettered by our special stock of graded and matched tubes are replaced. Any other improvements needed to make the unit current are installed, including software updates, etc.\u003c\/li\u003e\n\u003cli\u003eA new lens with “SIGNATURE” stencilled is installed. Each Signature unit undergoes rigorous test procedures and listening.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJanus Eclipse Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInternal changes to the Janus start with .22uF \/ 600v Stealth coupling capacitors used between the second and third gain stages, and the third gain stage and output stage of the phono section. Two more are used between the gain stage and output stage of the line section, per channel. Twelve of these exotic capacitors are used.\u003c\/li\u003e\n\u003cli\u003eThere are four 2uF \/ 400v coupling capacitors used in each channel of the output stage of the Janus. In the Eclipse version, these are replaced with Stealth copper foil 4uF\/400v, improving low frequency response.\u003c\/li\u003e\n\u003cli\u003eHigh frequency tuning capacitors are installed and hand-adjusted to tailor the frequency response to a tight .1dB standard (as also found on our Signature version).\u003c\/li\u003e\n\u003cli\u003eThe high voltage transformer, heater transformer and high voltage choke are all re-installed on isolation mounts. Harmonic Resolutions Systems’ Nimbus Couplers specially made for Aesthetix replace the four rubber feet of standard units (as also found on the Signature version). The new power supply is installed with enhanced ventilation.\u003c\/li\u003e\n\u003cli\u003eAdditional damping material is added to key chassis points.\u003c\/li\u003e\n\u003cli\u003eA single point ground system is used to ground the transformer cases as they are no longer electrically grounded to the chassis via physical contact due to their isolation mounts. All Eclipse Rhea, Calypso and Janus units receive a new power supply, which has been refined by improved trace routing to further reduce extraneous noise.\u003c\/li\u003e\n\u003cli\u003eExisting Janus units are factory upgradable to Eclipse specification.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/taseditorschoice_480x480_e2294030-942b-4ff7-977b-26cd4e6e45f3.jpg?v=1786585019\" alt=\"\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/tashighendguide_480x480_16505f3b-ed37-48b7-a89e-6430d576fb59.jpg?v=1786585019\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat Hi-Fi?, 2015\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIf you need a high-end preamp with a built-in phonostage we can’t think of a better alternative than the Janus…. We’re really impressed by this pre\/power combination. Rarely has high-end amplification been so easy-going while still retaining the transparency the price point demands. Add that superb phonostage into the equation alongside the excellent build and sensible range of features and it’s clear that Aesthetix has produced one of the standout performers at this price. This is one to take very seriously indeed.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.whathifi.com\/au\/aesthetix\/janus-signatureatlas-stereo-signature\/review\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHiFi+, Roy Gregory, 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThese amps are good enough and communicative enough to put you really close to the performers and their performance. With unforced power and a real sense of presence, they project music with an uncannily natural sense of pace, flow and colour. The Janus, despite the astonishing value, will clearly only appeal to those who use, or want to get back into using, vinyl. That makes the cost of the phono-stage in the Janus pretty much a revelation to many listeners – especially those used to the one size fits all approach adopted by so many manufacturers. It’s not until you use these Aesthetix electronics together that you realize their full potential – and believe me, that potential is considerable!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.hifiplus.com\/articles\/aesthetix-janus-preamplifier-and-atlas-power-amplifier\/\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Audio Beat, Roy Gregory, 2014\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Janus and Atlas Signature models can form a solid, beating musical heart, right at the center of such systems. Listen to them and I think you will be shocked by just how much musical energy they deliver, the authority with which it arrives and just how much sense it makes when it does. Considering that, as far as Aesthetix are concerned, these products are one notch above entry level, I find it remarkable just how completely satisfying they are to use. For Aesthetix, they may well only be one rung up the performance ladder, but for many a listener they are going to represent an approachable, practical and musically satisfying endgame — just the endgame many of them will have been seeking out for many a long year.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.theaudiobeat.com\/equipment\/aesthetix_atlas_signature_janus_signature.htm\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHiFi Unlimited, 2020\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Aesthetix Janus Signature did not commit that very same sin. All the technical improvements described above, was accompanied by real soul of the music. Soul of music, it’s something you feel with the music, the emotions that carries the music. Not many high end hi-fi components can bring out the soul and emotion that is in the music these days. For me, that is a major failure of many high end hi-fi manufacturers these days. Technical supremacy means nothing if it fails to connect the listener’s soul to the emotions that carries the music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/hifi-unlimited.blogspot.com\/2020\/08\/from-janus-to-signature-aesthetix-janus.html\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Absolute Sound High-End Audio Buyers Guide (Spring 2013)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpeed and detail… highs without a glint of shrillness… low noise floor… hours of glorious, fatigue-free listening.” (JANUS and CALYPSO SIGNATURE)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Absolute Sound, Alan Taffel, 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…inserted the Janus Signature. What I heard then was nothing short of a transformation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFull function Preamplifier (with phono)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 phono RCA (SE), 5 line RCA or XLR (balanced), plus 1 tape, RCA or XLR\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 RCA (SE) and XLR (balanced), 1 tape RCA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhono Gain Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8 total; 75, 68, 62, 56, 50, 44, 38 dB, and off\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhono Load Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9 total; 47 K ohms, 10K, 5K, 2.5K, 1K, 500 ohms, 250, 125, and 75 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine Level Gain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e23 dB single ended (SE), in\/out, and 29 dB balanced\/out\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVolume Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSwitched resistor network volume control with 88 1 dB steps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMain input, tape input select, volume, balance, phase, mute, display, bypass and standby\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMain input, tape input select, volume, balance, phase, mute, display, phono gain and loading, demagnetiser, bypass and standby\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e±0.25 dB, 20 Hz – 20 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal to Noise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMeasured at 70 dB minimum A-weighted (ref 1 mv input, 75 dB gain setting)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLine Input Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e40 k ohms SE, 80 k ohms balanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Line Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.5 volts SE, 7.0 volts RMS balanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1K ohms SE, 600 ohms balanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Load\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10K ohms or greater (SE), 20K ohms or greater (Balanced)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTubes (per channel)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono section: V1 \u0026amp; V2 (12AX7-factory graded low noise), V3 (12AX7), V4 (6922\/6DJ8); line section: V1 (12AX7 or equivalent), V2 (6922\/6DJ8)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20 watts standby, 120 watts active\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e457 (W) x 111 (H) x 457 (D) mm including jacks\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e18.2 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlack or Silver\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3 years, non-transferable.\u003c\/p\u003e","brand":"Aesthetix","offers":[{"title":"Silver \/ Janus Standard Saturn Series Preamplifier","offer_id":52079964389697,"sku":"AES-JAN-STA-SI","price":19800.0,"currency_code":"AUD","in_stock":true},{"title":"Silver \/ Janus Signature Saturn Series Preamplifier","offer_id":52080115220801,"sku":"AES-JAN-SIG-SI","price":28200.0,"currency_code":"AUD","in_stock":true},{"title":"Silver \/ Janus Eclipse Saturn Series Preamplifier","offer_id":52080115253569,"sku":"AES-JAN-SIG-SI","price":36600.0,"currency_code":"AUD","in_stock":true},{"title":"Black \/ Janus Standard Saturn Series Preamplifier","offer_id":52079964422465,"sku":"AES-JAN-STA-BL","price":19800.0,"currency_code":"AUD","in_stock":true},{"title":"Black \/ Janus Signature Saturn Series Preamplifier","offer_id":52080115286337,"sku":"AES-JAN-SIG-BL","price":28200.0,"currency_code":"AUD","in_stock":true},{"title":"Black \/ Janus Eclipse Saturn Series Preamplifier","offer_id":52080115319105,"sku":"AES-JAN-ECL-BL","price":36600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Products_Aesthetix_Janus_2_1000x1000_74e95e6e-9909-41c7-9025-09ff11736090.jpg?v=1786584859"},{"product_id":"aesthetix-rhea-saturn-series-phono-preamplifier","title":"Aesthetix Rhea Saturn Series Phono Preamplifier","description":"\u003cp\u003eThe Aesthetix Rhea is an all-tube phono stage, suitable for moving coil and moving magnet cartridges. It offers high maximum gain at 75 dB, making it ideal for low output cartridges. The Rhea broke new ground as the first phono stage with 3 phono inputs, the first with gain and loading settings stored in memory for every input, and the first with full remote control adjustability. Dual-mono audio boards provide superb channel separation and soundstaging. A cartridge demagnetiser is a built-in convenience that can also be operated by remote control. The all-aluminium chassis is designed for rigidity and acoustic inertness and the brushed anodized panels give it a sophisticated visual presence. The Rhea has enjoyed worldwide acclaim for its sound quality, build quality, flexibility and ease of use.\u003c\/p\u003e\n\u003cp\u003eThe Rhea has the following features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThree RCA inputs.\u003c\/li\u003e\n\u003cli\u003eEach input has its own gain and loading setting that is saved even when in standby mode or the unit is turned off.\u003c\/li\u003e\n\u003cli\u003eZero feedback.\u003c\/li\u003e\n\u003cli\u003e40-75dB gain maximum, selectable via front panel or remote control.\u003c\/li\u003e\n\u003cli\u003e9 MC loading settings: 75-47,000 ohms, selectable via front panel or remote control.\u003c\/li\u003e\n\u003cli\u003eRemote control of gain, loading, input switching, mute, and demagnetizer.\u003c\/li\u003e\n\u003cli\u003eBuilt-in MC cartridge demagnetizer.\u003c\/li\u003e\n\u003cli\u003eTwo sets of XLR and two sets of RCA outputs per channel.\u003c\/li\u003e\n\u003cli\u003eAll tube amplification and output (10 tubes total).\u003c\/li\u003e\n\u003cli\u003eFull function remote included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAll of this attention to detail has resulted in a phono preamplifier that transcends what is normally expected from an audiophile piece of equipment. The Rhea scales heights that are normally the realm of uber-expensive products and it does it with ease. Sound quality is the prime objective here and the Rhea is a phenomenal achievement. This value for money quality is spoken about in all the audio press and the Rhea has accumulated many awards \u0026amp; accolades. These reasons are why Aesthetix products have developed a passionate following around the world.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelect a Specification to Suit Your Needs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Rhea is available in 3 versions, depending on the level of specification required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRhea\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTube linestage using high-grade Rel-Cap polypropylene coupling capacitors.\u003c\/li\u003e\n\u003cli\u003eStandard edition.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRhea Signature Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Aesthetix Rhea Signature version uses custom-made inter-stage Teflon hybrid coupling capacitors, replacing the polypropylene units, between the 2nd and 3rd, and 3rd and 4th, gain stages (4 total per channel). The change in these capacitors results in higher resolution, extension, less grain and more air.\u003c\/li\u003e\n\u003cli\u003eThe 2uF coupling capacitor between the 1st and 2nd gain stages is replaced with a 4uF Dynamicap by Peter Moncrief (1 per channel). This change removes grain and provides more openness, while also increasing bass dynamics and slam.\u003c\/li\u003e\n\u003cli\u003eThe 2uF output coupling capacitors (4 per channel) are also replaced with 4uF Dynamicaps. This change provides more drive, bass extension, resolution and dynamics while also reducing grain.\u003c\/li\u003e\n\u003cli\u003eHighly specialized adjustable air-core capacitors, used primarily in the radio-frequency realm, are installed and adjusted to “tweek” each unit to a rigid standard.\u003c\/li\u003e\n\u003cli\u003eThe five rubber feet are replaced with Harmonic Resolutions Systems’ Nimbus Couplers specially made for Aesthetix (Earlier Signature Saturn pieces did not incorporate this, please contact Aesthetix for this free upgrade if you have an earlier Signature piece without the Nimbus Couplers). This change results in a lower noise floor and more air and space.\u003c\/li\u003e\n\u003cli\u003eThe cost of these specialized parts alone is about 1\/4 the manufacturing cost of a brand new unit!\u003c\/li\u003e\n\u003cli\u003eAny tubes that can be bettered by our special stock of graded and matched tubes are replaced. Any other improvements needed to make the unit current are installed, including software updates, etc.\u003c\/li\u003e\n\u003cli\u003eA new lens with “SIGNATURE” stenciled is installed. Each Signature unit undergoes rigorous test procedures and listening.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRhea Eclipse Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInternal changes to the Rhea start with .22uF \/ 600v Stealth coupling capacitors used between the second and third gain stages, and the third gain stage and output stage. Eight total of these exotic capacitors are used.\u003c\/li\u003e\n\u003cli\u003eThere are four 2uF \/ 400v coupling capacitors used in each channel of the output stage of the Rhea. In the Eclipse version, these are replaced with Stealth copper foil 4uF\/400v, improving low frequency response. This capacitor is also used between the first and second gain stages.\u003c\/li\u003e\n\u003cli\u003eHigh frequency tuning capacitors are installed and hand-adjusted to tailor the frequency response to a tight .1dB standard (as also found on the Signature version).\u003c\/li\u003e\n\u003cli\u003eThe high voltage transformer, heater transformer and high voltage choke are all re-installed on isolation mounts. Harmonic Resolutions Systems’ Nimbus Couplers specially made for Aesthetix replace the four rubber feet of standard units (as also found on the Signature version).\u003c\/li\u003e\n\u003cli\u003eThe new power supply is installed with enhanced ventilation. Additional damping material is added to key chassis points.\u003c\/li\u003e\n\u003cli\u003eA single point ground system is used to ground the transformer cases as they are no longer electrically grounded to the chassis via physical contact due to their isolation mounts. All Eclipse Rhea, Calypso and Janus units receive a new power supply, which has been refined by improved trace routing to further reduce extraneous noise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAwards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/Aesthetix_Rhea_-_Nirvana_Sound_1024x1024_63db7ebf-8ced-48a8-ba79-deb908bf9f9f.jpg?v=1786586314\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReviews The Absolute Sound, Robert Harley, 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs great a phonostage as the Rhea is, the Signature version is on another level of performance. Yes, it’s nearly twice the price, but the Signature is that much better. If you already own the Rhea, upgrading to the Signature will give you a new perspective on your record collection and favourite music. It did for me..\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.theabsolutesound.com\/articles\/tas-196-aesthetix-rhea-signature-phonostage-1\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra Audio, Peter Roth, 2009\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe standard Rhea deserves the accolades it has received over the years and continues to prove a value leader. That it now marks the beginning of an upgrade path makes it a fantastic musical investment. Which takes us to the Rhea Signature, shining brighter than Saturn itself on a clear night. The Rhea Signature has elevated my system’s ability to transfix and transport me, and is well worth the surcharge, if you can swing it. I have no need to consult an astrologer to know the future. It is here: The Rhea Signature has become my reference system’s new phono preamplifier.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.ultraaudio.com\/equipment\/aesthetix_rhea_rhea_signature.htm\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereophile, Paul Bolin, 2003\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Rhea tells a striking amount of musical and sonic truth and is, in terms of sound alone, intensely lovable. Did I notice the difference when the Steelhead or Io Signature went back in the system? Sure. But the Rhea has enough of all the qualities that make the megabucks competition so special to make it a source of constant musical joy. Not once did I feel that the Rhea short changed any LP I heard through it. That, together with the too-cool-for-school remote functions, multiple inputs, built-in cartridge demagnetizer (for those of that persuasion), and first-class presentation, make it worthy of a wildly enthusiastic recommendation. This one, cats and kittens, is killer good.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.stereophile.com\/phonopreamps\/925\/index.html\"\u003eRead Review\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono Preamplifier\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3 discrete phono inputs with RCA (SE)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 RCA (SE) and 2 XLR (balanced)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8 total; 75, 68, 62, 56, 50, 44, 38 dB, and off (selectable for each input)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoad Settings\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e9 total: 47 K ohms, 10K, 5K, 2.5K, 1K, 500 ohms, 250, 125, and 75 ohms (selectable for each input)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1K ohms RCA (SE), 600 ohms XLR (balanced)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono input, mute, gain, loading, demagnetiser and standby\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhono input, mute, gain, loading, demagnetiser and standby\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e±0.25 dB, 20 Hz – 20 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal to Noise\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMeasured at 70 dB minimum A-weighted (ref 1 mV input, 75 dB gain setting)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Load\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10 k ohms or greater\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTubes (per channel)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eV1 \u0026amp; V2 (12AX7LP-factory graded low noise), V3 \u0026amp; V4 (12AX7 or equivalent) and V5 (6922)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e20 watts standby, 100 watts active\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e457 (W) x 111 (H) x 457 (D) mm including jacks\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e18.2 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlack or Silver\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3 years, non-transferable.\u003c\/p\u003e","brand":"Aesthetix","offers":[{"title":"Rhea Standard Saturn Series Phono Stage \/ Black","offer_id":52080133898561,"sku":"AES-RHE-STA-BL","price":15900.0,"currency_code":"AUD","in_stock":true},{"title":"Rhea Standard Saturn Series Phono Stage \/ Silver","offer_id":52080133800257,"sku":"AES-RHE-STA-SI","price":15900.0,"currency_code":"AUD","in_stock":true},{"title":"Rhea Signature Saturn Series Phono Stage \/ Black","offer_id":52080133931329,"sku":"AES-RHE-SIG-BL","price":23300.0,"currency_code":"AUD","in_stock":true},{"title":"Rhea Signature Saturn Series Phono Stage \/ Silver","offer_id":52080133833025,"sku":"AES-RHE-SIG-SI","price":23300.0,"currency_code":"AUD","in_stock":true},{"title":"Rhea Eclipse Saturn Series Phono Stage \/ Black","offer_id":52080133964097,"sku":"AES-RHE-ECL-BL","price":31300.0,"currency_code":"AUD","in_stock":true},{"title":"Rhea Eclipse Saturn Series Phono Stage \/ Silver","offer_id":52080133865793,"sku":"AES-RHE-ECL-SI","price":31300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/215847398_393416275456215_4223476690743544689_n.jpg?v=1786586159"},{"product_id":"canor-asterion-v3-tube-phono-preamplifier-performance-line","title":"Canor Asterion V3 Tube Phono Preamplifier, Performance Line","description":"\u003cp\u003eThe Asterion V3 is a tube-based phono preamplifier with both XLR and RCA inputs and support of both MC and MM cartridges\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01 Designed for MM and MC cartridges with high variability of resistance and capacitance settings.\u003c\/p\u003e\n\u003cp\u003e02 Supports balanced and unbalanced MC cartridge connections.\u003c\/p\u003e\n\u003cp\u003e03Carefully selected and matched tubes with exceptional parameters.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/120-8841-canor-asterion-v3-main-features-01.jpg?v=1786778501\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePurist architecture without global feedback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Asterion V3 analog stages are designed without the use of global feedback, ensuring the natural dynamics and tonal purity of the signal are preserved. This solution eliminates unwanted phase distortions and preserves the integrity of the recording in its authentic form. The result is a vivid and detailed sound image with precise spatial rendering.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/121-5121-canor-asterion-v3-main-features-02.jpg?v=1786778501\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour-stage tube preamplifier chain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe amplifier chain uses four stages equipped with ECC83S and ECC81 tubes to achieve high gain with low noise. Between the first two stages is an integrated subsonic filter, which effectively eliminates unwanted low-frequency interference without affecting the audible band. This combination ensures a stable, linear signal and high fidelity reproduction.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/116-7361-asterion-v3-main-features-remote-control.jpg?v=1786778500\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhono settings adjustable via remote control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe versatile remote control allows you to control all key preamplifier functions directly from the listening position. In addition to choosing between MM and MC cartridges, it can also precisely adjust the impedance and capacitance values according to the specifications of your cartridge.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/117-9613-canor-asterion-v3-main-features-04.jpg?v=1786778501\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntuitive experience and perfect readability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe best of both worlds thanks to the combination of touch and matrix display. While the touch interface ensures seamless interaction with the device, the matrix display guarantees perfect readability of all key information from any distance.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/118-8662-canor-asterion-v3-main-features-05.jpg?v=1786778501\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMulti-level shielding of the mains transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe power supply uses a transformer with primary and secondary windings separated by copper foil, which effectively blocks the penetration of network interference. The entire component is cast in anti-vibration compound and enclosed in a 4 mm thick steel housing, which ensures perfect electromagnetic shielding and prevention of mechanical hum.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/119-4426-canor-asterion-v3-main-features-06.jpg?v=1786778501\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFive-stage anode voltage filtration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo deliver maximum stability and clean power, the Asterion V3 features a high-precision, five-stage anode voltage filtration system. This multi-stage process rigorously eliminates residual ripple and mains interference, ensuring it won't degrade the delicate audio signal.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/49-4351-cmt.jpg?v=1786777431\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCMT ™ technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Asterion V3 utilizes our advanced CMT ™ technology (CANOR ® PCB Milling Technology) for optimal performance. The CMT™ technology allows us to get the dielectric loss factors (loss tangent) of PCB close to the loss factor of air. Thanks to this technology, we managed to repeatedly reach the parameter level of the so-called “wire-to-wire connections“. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Asterion V3 offers exceptional gain control and precise input impedance and capacitance selection for all types of cartridges. This flexibility allows for optimal parameter adjustment, thereby achieving the maximum sonic potential of any turntable system.\u003c\/li\u003e\n\u003cli\u003eA top-of-the-line Lundahl step-up transformer is used for the MC inputs, ensuring natural signal amplification with minimal noise.\u003c\/li\u003e\n\u003cli\u003eThe RIIA correction curve is made up exclusively of passive corrections containing high-quality polystyrene and polypropylene capacitors.\u003c\/li\u003e\n\u003cli\u003eThe device supports the simultaneous connection of two cartridges—one MM and one MC—allowing you to switch between them seamlessly.\u003c\/li\u003e\n\u003cli\u003eThe versatile remote control allows you to control all key preamplifier functions directly from the listening position.\u003c\/li\u003e\n\u003cli\u003eThe touch screen integrated in the control panel allows easy and intuitive access to all device functions and settings.\u003c\/li\u003e\n\u003cli\u003eThe massive control knob uses a pair of precision bearings for smooth operation.\u003c\/li\u003e\n\u003cli\u003eThe device combines high-quality materials, aluminum and steel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMM 46 dB; MC 70 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance (MC)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e10, 20, 40, 80, 150, 300, 600, 1200 Ω\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Capacitance (MM)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50, 150, 270, 370, 520, 620, 740, 840 pF\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026lt; 500 Ω\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 RCA pairs; 1 XLR pair\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 RCA pair\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Harmonic Distortion (MM, MC)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026lt; 0.2% \/ 1 Vrms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSubsonic Filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e18 dB \/ Octave\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIAA Accuracy (MM, MC)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e±0.3 dB \/ 20–20,000 Hz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal-to-Noise Ratio (MM)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026gt; 71 dBV (86 dBV – IEC-A)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal-to-Noise Ratio (MC)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u0026gt; 68 dBV (82 dBV – IEC-A)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTube Complement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 × ECC83S; 2 × 12AT7WC\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e230 V \/ 50–60 Hz \/ 40 VA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (W × H × D)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e435 × 122 × 370 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions with Knob \u0026amp; Connectors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e435 × 122 × 415 mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight (Net)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight (Gross)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e17 kg\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDownloads \/ Links\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/canor-audio.com\/files\/file\/6_5444_canor%20product%20catalog%202026_digital.pdf\"\u003eCanor - product catalog 2026 (English)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/canor-audio.com\/files\/file\/5_4881_Canor_Catalog_2026_German.pdf\"\u003eCanor - product brochure 2026 (German)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/canor-audio.com\/files\/file\/7_3168_%EF%BC%88%E5%B7%B2%E5%8E%8B%E7%BC%A9%EF%BC%89Canor%E4%BA%A7%E5%93%81%E6%89%8B%E5%86%8C%EF%BC%88202605%E7%89%88%E6%9C%AC%EF%BC%89.pdf\"\u003eCanor - product catalog 2026 (Chinese)\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/canor-audio.com\/files\/product_file\/209_6855_CANOR%20Asterion%20V3%20User%20Manual_25062026.pdf\"\u003eCanor Asterion V3 - User Manual (English)\u003c\/a\u003e\u003c\/p\u003e","brand":"Canor","offers":[{"title":"Black","offer_id":52088071356737,"sku":"CAN-ASTERION-V3-B","price":9500.0,"currency_code":"AUD","in_stock":true},{"title":"Silver","offer_id":52088071389505,"sku":"CAN-ASTERION-V3-S","price":9500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/of-51-2571-01-asterion-v3-black-web-pic.jpg?v=1786780920"},{"product_id":"air-tight-ate-5-phono-equalizer-amplifier","title":"Air Tight ATE-5 Phono Equalizer Amplifier","description":"\u003cp\u003e\u003cstrong\u003eSimplicity in AirTight way\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATE-5 is a simple phono equalizer from Airtight, a company that has always strived to create what it wants to create.\u003c\/p\u003e\n\u003cp\u003eWhile the flagship phono stage \"ATE-3011\" aimed to be the \"ultimate phono stage\" capable of reproducing numerous equalizing curves by individually combining three tone arms and turnover\/ roll-off, the \"ATE-5\" is a phono equalizer that embodies Airtight's style of \"minimalism.\" Everything except the bare essentials for vinyl playback has been removed. The equalizer curve is limited to RIAA, and there is only one input and one output. The circuit design has also been kept as simple as possible, allowing you to feel the superiority of vacuum tubes. By taking an approach that is the exact opposite of that of our flagship model, we have arrived at another pinnacle of phono equalizer technology. The moment the needle strikes the groove of a record, music is woven vividly from the compact body. Flip on the simply refined ATE-5 and vibrant, dynamic rhythms and melodies will fill your audio room.\u003c\/p\u003e\n\u003cp\u003eThe ATE-5 phono equalizer, which brings out the best in music from vinyl records, has been added to Airtight's lineup.\u003c\/p\u003e\n\u003cp\u003eTo amplify the audio signal while maintaining the highest possible purity, functions and contacts have been minimized. It only supports the RIAA curve and has a single input and output. The amplifier section is a two-stage NF-CR typeusing three 12AX7 tubes, with the same circuit configuration as the ATE-3011. The newly designed power supply section uses a largecapacity EI core power transformer with ample power. The vacuum tube heater is newly equipped with a regulator to stabilize the tubes and bring out the full potential of the amplifier stage, which\u003c\/p\u003e\n\u003cp\u003eis made up of 12AX7 tubes from a variety of brands. The circuit boards and circuits are housed in a fully monocoque main chassis. The amplifier\u003c\/p\u003e\n\u003cp\u003esection is fixed on a thick pure copper plate. It is unitized using a black chrome-plated inner chassis and suspended from the ceiling of the main chassis to control the resonance of the main chassis. The front panel is made of 10mm thick aluminum, machined on an NC lathe and anodized. To prevent damage when using a solid-state preamp and prevent noise when powered on, it features a timer relay circuit that shorts the output when the power is turned on. Both input and output can be\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVacuum Tube Incorporated\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12AX7 x 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA\/MM x 1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e47ｋΩ（Gain 40dB）\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhono Equalizer Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRCA×1 (Recommended Impedance Load \u0026gt;100ｋΩ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50Hz ～ 20kHz（± 0.2dB）\/20Hz\u003c\/p\u003e\n\u003cp\u003e2.5dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50VA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eW400×D285×H90mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e7.6kg\u003c\/p\u003e","brand":"Air Tight","offers":[{"title":"Default Title","offer_id":52153248481601,"sku":"AIR-ATE-5","price":18500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/air-tight_ate-5.jpg?v=1788253561"},{"product_id":"hse-ac300-for-masterline-7","title":"HSE AC300 for Masterline 7","description":"\u003cp\u003eThe \u003cstrong\u003eAC300\u003c\/strong\u003e is a dedicated external power supply unit designed specifically for the \u003cstrong\u003eMasterline7\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe Masterline7 comes with an \u003cstrong\u003eAC70 external power supply rated at 120VA\u003c\/strong\u003e, but the AC300 far exceeds this, featuring a \u003cstrong\u003e300VA toroidal transformer\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis results in a \u003cstrong\u003esignificant improvement in sound quality\u003c\/strong\u003e. 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The DS-EQ2 integrates Meitner's proven optical equalization technology learned during the development of the DS-EQ1 into a single-ended, streamlined package accessible by a wider variety of end users while maintaining Meitner’s high standard of quality. In keeping with the Meitner brand ethos, it is a true value proposition in the analog ecosystem.\u003c\/p\u003e\n\u003cp\u003eWith the release of DS Audio’s third generation optical cartridges, including the more affordable DS-003 system; Ed was once again collaborating with Tetsuaki Aoyagi and his team at DS Audio. This time to develop the Meitner DS-EQ2 optical equalizer.\u003c\/p\u003e\n\u003cp\u003eThe DS-EQ2 is designed with an obsessive desire to lower noise, lower distortion, and extract every bit of information from any DS Audio optical cartridge. The DS-EQ2’s circuits are all Meitner designed in-house and optimized for short and direct audio paths. In Meitner's philosophy, the DS-EQ2 is a “less-is-more” component.\u003c\/p\u003e\n\u003cp\u003eThe DS-EQ2 utilizes a simplified chassis construction, high quality components and connectors, and a universal power supply hand-selected to fit Meitner’s design criteria. The DS-EQ2 proudly holds the Meitner flag by offering exceptional performance in an attractive package, with value metrics that are hard to best.\u003c\/p\u003e\n\u003cp\u003eDesigned for simplicity, the touch buttons on DS-EQ2’s front panel allow the user to safely and silently control power to the cartridge and select the desired filter without fuss.\u003c\/p\u003e\n\u003cp\u003eProudly designed and manufactured in Canada, simply connect the DS-EQ2 to any phono system equipped with a DS Audio optical cartridge, sit back and prepare to have a paradigm shift. The Meitner DS-EQ2 is the perfect partner to any DS Audio system no matter the budget.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProprietary \u0026amp; discrete equalization specifically designed for all DS Audio optical cartridges\u003c\/li\u003e\n\u003cli\u003eUltra low distortion\u003c\/li\u003e\n\u003cli\u003eCustom designed single-ended discrete class A amplification\u003c\/li\u003e\n\u003cli\u003eFront panel electronically selectable DS Audio standard filter response or with added 2nd order 15Hz high pass filter\u003c\/li\u003e\n\u003cli\u003eOptimized short audio paths throughout\u003c\/li\u003e\n\u003cli\u003eNoiseless cartridge power function\u003c\/li\u003e\n\u003cli\u003ePower and filter touch buttons\u003c\/li\u003e\n\u003cli\u003eWorks with all DS Audio cartridges\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Specfications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo single ended (RCA) inputs and outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e0.5V nominal (~ -3.8dBu)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e150Ω unbalanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (W x D x H):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e338 x 286 x 67mm \/ 13.3 x 11.3 x 2.7in\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e3.7kg \/ 8.2lbs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFinish:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFine bead blasted front panel available in silver or black\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned and Manufactured in Canada\u003c\/strong\u003e\u003c\/p\u003e","brand":"EMM Labs","offers":[{"title":"Silver","offer_id":52162515599681,"sku":null,"price":11400.0,"currency_code":"AUD","in_stock":true},{"title":"Black","offer_id":52162515632449,"sku":null,"price":11400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0993\/2636\/1921\/files\/emmlabs-XA-EQ2-1-1-white_479f89f5-b057-4e7f-9f3a-863e966ac576.jpg?v=1788403287"}],"url":"https:\/\/www.magentaaudio.com.au\/collections\/phono-pre-amplifiers.oembed","provider":"Magenta Audio","version":"1.0","type":"link"}